Coming from Australia, the chance to drive to places in the States, like Chicago, still seems weird to me. I challenged myself by only taking film cameras on the trip and was shattered when I received back all the black-and-white rolls from my Holga, which in one view had been ruined by the lab. I now think that the dust spots, scratches, and chemical marks all add to the photos’ charm making them look even more vintage.
Very early on a Wednesday morning, I got together with my new Couchsurfing friend Tyler and road tripped it from London, Ontario to Chicago, Illinois. We saw all the major tourist attractions there, went to a jazz bar and ate some Chicago deep slice pizza. The main purpose of the trip was to see Vivian Maier’s exhibition and because of that I decided I would ‘leave the digital grind behind’ and take only film cameras.
Most of these Lomographs are a little blurry on my part, I should have taken a faster film because of the overcast weather and shooting inside, but the lab I took them to, which wasn’t my normal lab, must have had problems with their machine and I have scratches, dust, spots, and development splotches all over the negatives, which in most cases make them look like they have another layer of blurriness over them but I think it helps them look even more like they were taken in the 60s when Vivian Maier was taking photos in Chicago, which was the reason we were going to Chicago to see her first exhibition and why I decided to not take a digital camera.
Even though some of them aren’t great, this is the kind of photography I love, Street Photography. For some reason, I feel like when I go to a place I haven’t been to before I am more willing to take those shots I wouldn’t take at home.
My wife and I suffered a family loss in October 2013 so we decided to shift things around and have a celebration of life—a wedding, actually—to associate our loss with the beginning of something positive and memorable. We have been together for nearly 13 years and after getting married, we headed off on a three-month trip to South America and a few other stops to complete a round-the-world loop back to Australia.
A popular quote by photojournalist Ted Grant goes, "When you photograph people in color, you photograph their clothes. But when you photograph people in black and white, you photograph their souls!" Indeed, the lack of vibrant color forces the viewer to see beyond what is on plain view and recognize the atmosphere surrounding a photograph. In this post, we've handpicked black and white shots taken in various situations and exhibit different moods.
Not all photographs are meant to be seen in vibrant, saturated colors, and neither are they always suitable for in black and white. Lomography welcomes yet another innovation from KONO! The Reanimated Film. Without diminishing the aesthetic value of images, KONO! Donau 35mm Film casts a distinct blue tone to photos. It is ultra-low ISO film that is best used for long exposure shots. Check out this fine selection of uniquely tinted images.
It's human nature to be restless and imaginative. The real may be interpreted as what one sees or how one sees something. For the daydreamer, a scene from nature transforms into a canvas. Suddenly a field makes room for chemical coloring, all those anachronistic streaks that somehow look right. Or else, those beautiful colors amplified or subdued to their most pictorial shades. All in the world of trial-and-process film photography.
Browsing through the Lomography website, you can find a lot of redscale shots, which are all done on color negative films. I asked myself if it’s possible to redscale a slide or chrome film and then cross process it. (And yes, it is.) In this tipster I’m going to teach you how to create the bloodiest homemade redscale film I've ever come across.
Named for the Italian city situated in the Lombardy region, overflowing with art and culture, say hello to the colorful aesthetics of the new Lomo'Instant Milano, the latest member of the Lomo'Instant family!
This year marks the 70th anniversary of the publication of one of the most influential photography books ever, "Ballet" by the photographer, art director, and graphic designer Alexey Brodovitch. Brodovitch took a series of photos of classical dance in a very unconventional way, using very slow exposure times, trying to catch the true essence of Russian ballets. For this article, I took a series of photos at the Swing Crash Festival in my city, Como, held in June 2015.
Everything I had fit into eight boxes and two suitcases. That’s all I had collected in my 22 years on earth, eight boxes and two suitcases. My friends and I moved to Brooklyn in the dead of winter, just after a huge snowstorm. I came from California and had no real experience living in snow. All of it was magical to me.
Colors may be amped to look unreal, like nothing of this world. Shots may be doubled, cross-processed, post-processed, mixed up into collages. The possibilities are infinite, yet some photographers still prefer black and white. Even in 2016, it is an ode to classic values of precision and balance. Light and shadow must be one pleasing dance. And just like in a well-choreographed piece, forms are obvious or playing coy. It all depends on how you're looking.
My 2015 resolution is to do 12 photography projects, one for every month. In July, I tried freelensing or unscrewing the lens from my SLR and holding it in front of the camera body. By tilting the lens slightly I was able to change the focus. For this experiment, I used my Konstruktor and Olympus OM-1.
Packing all his essentials in a van, Michael Roy Harris is currently on a road trip around South Africa with his beloved girlfriend before heading to Sri Lanka to exhaust his hard-earned travel fund. To continue exploring the world, he wholeheartedly does all sorts of jobs - from delivering pizza to cleaning barnacles off expensive yachts. In this interview, he shares why the Minolta SRT 201 is the perfect match for his adventurous soul and carefree lifestyle.
In every aspiring photographers' dream - Turn the hobby into career, leaving the part time job, putting all of the efforts into one's photography project. Kevin Biberbach did it. Biberbach is a student from Aachen, who has completed a 365-day photography project called "EVRY DAY" with his passion and insist. The project is widely getting attention throughout the internet, which includes a variety of portraits content such as wedding, family and couples. Biberbach shared to Lomography exclusively about his work, passion to photography, and also his experience with the Petzval 85 Art Lens.