Remember the glorious days when granddaddy used to shoot with Black & White film?
These types of film are still one of my favourites, as their super-fine grain and resolution still keep my eyes popping. Also, if the weather isn’t that fine or you’re a resident of Mexico city, it allows you to shoot more freely when clouds hang in the sky. Your Fisheye camera accepts all types of 35mm B&W film and yields beautiful and atmospheric shots with it.
“Rumble in the Pond” is a 368-page hardcover book bursting with 170-degree Fisheye madness. Inside your will find exclusive tips and tricks, Lomographer profiles & interviews, an informative history of Fisheye lenses and goldfish breeding, and several hundred eye-popping barrel-distorted fisheye images. Get your own ""Rumble in the Pond"== Fisheye Book==":http://shop.lomography.com/rumble-in-the-pond-fisheye-book now!
"The White Girl" is currently showing in theatres in Hong Kong. We invited photographer Wilson Lee to join the set for a day and use the New Jupiter 3+ and Petzval 85 art lens to capture all the wonderful moments. This is also the first time for Wilson to shoot stills for films. He shared his first-time experience in this interview.
London based visual artist and photographer Antonio Curcetti shoots exclusively with film. He has photographed bands such as Toy and Slowdive. All of his shoots are dripping with the glorious aesthetics of film. We gave him a Lomo'Instant Wide to test out and he talked to us about his work.
John Milisenda, a widely published black and white film photographer on the Lower East Side in New York City, sits down with Lomography NYC community member Ranier Turim to discuss the art of photography and one's relationship to a subject.
Saturate your subjects in psychedelic tones and an even finer grain with the 2019 LomoChrome Purple Simple Use Film Camera! Save up to 30% when you pre-order this bundle of 3! Stock is extremely limited so pre-order now! Delivery expected in early 2019!
"The White Girl" is a movie co-directed by Jenny Suen and veteran cinematographer Christopher Doyle. We got the chance to talk to Jenny about the movie and Christopher also shared some film photos of the main lead Angela, taken with the LC-Wide, Fisheye and the Lomokino cameras.