In which our hero divulges confidential trade secrets or, tips and tricks to try with your next roll of redscale film.
New to redscale photography? Experienced with redscale and want to try and do it differently? Well, read on for a few tips that will help you get the most out of your next redscale endeavor.
Let there be light! Did you know that by varying the amount of light to expose, the final image could change drastically? With just enough light to expose you’ll end up with a very monochrome red/orange/yellow/gold image. But, if you push that light you’ll end up with very different results. Typically, the end result will be an almost normally colored image with hints of orange.
Try a different film speed. Most redscale rolls are 400 iso flipped to be shot at 200 for the monochrome red look. But, if you apply this logic to other speeds you can vary the look even more. 800 can be a bit more grainy and noisy while 160 is a much finer grained final image. Take a look at the photos below.
Variety is the spice of life. Just like cross-processed slide film, I’ve found that different brands (and even models within a brand) of film will yield different results when shooting redscale. Note the color differences in the next few pictures.
Finally, try double exposing that roll of redscale. Here’s some shots I did w/ the La Sardina.
Hope that was helpful. Feel free to post your own shots in the comments. I’d love to see how you redscale!