In which our hero divulges confidential trade secrets or, tips and tricks to try with your next roll of redscale film.
New to redscale photography? Experienced with redscale and want to try and do it differently? Well, read on for a few tips that will help you get the most out of your next redscale endeavor.
Let there be light! Did you know that by varying the amount of light to expose, the final image could change drastically? With just enough light to expose you’ll end up with a very monochrome red/orange/yellow/gold image. But, if you push that light you’ll end up with very different results. Typically, the end result will be an almost normally colored image with hints of orange.
Try a different film speed. Most redscale rolls are 400 iso flipped to be shot at 200 for the monochrome red look. But, if you apply this logic to other speeds you can vary the look even more. 800 can be a bit more grainy and noisy while 160 is a much finer grained final image. Take a look at the photos below.
Variety is the spice of life. Just like cross-processed slide film, I’ve found that different brands (and even models within a brand) of film will yield different results when shooting redscale. Note the color differences in the next few pictures.
Finally, try double exposing that roll of redscale. Here’s some shots I did w/ the La Sardina.
Hope that was helpful. Feel free to post your own shots in the comments. I’d love to see how you redscale!
As Lomographers, we have our own tips, tricks, and styles — and now you can share those secrets to inspire others! We’re teaming up with online learning community Skillshare to give you the opportunity to showcase your skills in analogue photography through teaching.
We tidy up the house when we know visitors are coming. It’s not just common courtesy. Our homes represent how we live and how we want to be seen. More than that, the arrangement of furniture and ornaments may influence what we do during our downtime. Want hush or energy? Try the color palettes, textures and shapes in these curated blogs.
It's no secret that the community is a treasure trove of film photography tips and techniques. And this artistic atmosphere is what exactly piqued Kellie Leming's interest. In this interview, our newcomer of the week from Nashville, Tennesse opens up about how the music community in her hometown inspires her to be positive and creative and what shooting on film means to her.
We constantly search far and wide, meticulously seek out, hunt down, and hand-pick some of the most experimental and alternative gear out there - and we've now gathered them all in one easy to browse shop category, ready for the picking! In the Lomo-Bazaar, you canalso be part of our process of collecting fresh new products, rare treasures, and crowd-funded creations to sell on the shop - after all, they’re all for you! Get in touch with us to share your suggestions for amazing gear - go on, we’re all ears!
Snow-capped or covered in lush greenery, monumental or of smaller proportions, mountains create the most picturesque natural landscapes. The folks at The Gap Magazine are no stranger to their beauty and will showcase such visual splendor in their next issue. Do you have a scenic photo of mountains? Share your pictures with us and get featured in the December issue of The Gap.
I recently found a roll of XR Redscale 50-200 film lying around in my drawer and decided to reignite my passion for embracing the weird and unexpected results that film can bring. I shot random doubles around the streets of Soho and was rather delighted with the results.
Can’t wait to get your hands on your very own Lomo’Instant Automat camera? Follow our quick tricks so you can master and get the most out of your instant camera once it comes knocking at your door! This time we want you to be your own hero!
The LomoLab EU has moved and is now open for business! Analogue lovers from Austria, Germany, Spain, Netherlands, Belgium, Luxenbourg, and the rest of Europe can send their films to:
However, if you're based in Germany - and you don't mind a longer waiting time, you can still send your rolls for processing to:
Lifesmyle Store Berlin - LomoLAB
When experimenting with new rolls of film, it's often the first roll that brings both the most joy and the most trial & tribulation. We want to start highlighting some successful first attempts here on our Magazine with our films. The first in this line up is Brian Bruno aka Brunoroids.
No, your eyes aren't playing tricks on you. We are once again preparing for the launch of our newest mystery product! Have a seat, change your perspective, and stay focused because we're going to be dropping a few clues here and there before we let you in on our little secret.
Get out of your comfort zone and explore your city in a totally different angle - when you try to think more and experiment, you will find that there is always something fun in your everyday life! Let your creativity roam, visit every corner of your city, and share with us your discoveries!
Browsing through the Lomography website, you can find a lot of redscale shots, which are all done on color negative films. I asked myself if it’s possible to redscale a slide or chrome film and then cross process it. (And yes, it is.) In this tipster I’m going to teach you how to create the bloodiest homemade redscale film I've ever come across.
Finland based UK photographer Adam Eronen Piper shoots beautiful, minimal shots that evoke a sense of calm. We lent him the Jupiter 3+ lens which he used with a roll of colour film and his trusty Leica camera.
It’s finally here! Fully automatic, jam-packed with creative features, and super easy to use, the Lomo’Instant Automat is the ultimate instant camera that lets you do it all. Shoot perfectly lit photos from dusk ’til dawn and explore a world of creativity at the touch of a button. Back us on Kickstarter now to save up to 35% on a Lomo’Instant Automat and all sorts of exclusive extra goodies!