"The White Girl" is currently showing in theatres in Hong Kong. We invited photographer Wilson Lee to join the set for a day and use the New Jupiter 3+ and Petzval 85 art lens to capture all the wonderful moments. This is also the first time for Wilson to shoot stills for films. He shared his first-time experience in this interview.
French photographer Yoann Leveque is back for a classical twist with his portraiture. This time he takes inspiration from Biblical figures and iconography, with the chiaroscuro technique using the Daguerreotype Achromat Art Lens.
On the fourth day of Residency Week in Vienna, Lomography organized a day trip to Bratislava for us. The capital of Slovakia is only an hour away from Vienna by train so the trip turned out to be a wonderful idea. We were supposed to meet on the main railway station Hauptbahnhof.
In this second installment of our special two-part feature on cinematic photographers, we take a look back to more photographers who have mastered the dreamy, often surreal aesthetic of cinematic photography.
We've finally nailed down the basic colors from primary to secondary; now it's time to study other colors, hybrids, and palettes that make this world more complex and non-binary. With cinematic glasses, we tend to look at life like a movie. The reel rolls into a palette of silvery grayscale.