There are few places in the world, which I have visited because of one pictures I have seen of it. Such a place is the Real Gabinete Português de Leitura. A colonial library in the centre of Rio. A couple of years ago I was intrigued by a massive grand format picture from Andreas Gursky. He is one of the most famous photographers of our time, he surely is the most expensive one. His technique is to manipulate and enlarge pictures. His topic is the gathering of large groups and the enhancements of architectonic structures. He also chose the Gabinete as a sujet and that was, why I went there.
Telling from the picture I thought this library must be gigantic. It is not! There are three storeys, and one grand room on the bottom. It still functions as a assembling room and as a historic library. The origin of the library is in the 1830s, as Portuguese immigrants and political refugees founded a meeting point for the intelligentsia. The Neo-Manueline style building is from the 1880s. So the architecture itself is a very impressive colonial beauty-spot.
I my opinion this must have been the most silent library I have ever visited. This is of interest for a photographer, because taking the loudest machines with you surely makes you the jackass, who is beaten and thrown out the place. Even advancing the film on my LC-A+ was so disturbing that I rather took my panoramic camera instead.
Besides Andreas Gursky only the workers of the library are allowed to go on the higher floors to pick the books that are demanded by the students. Your options to take a photograph are reduced to the ground floor. But it is exciting and colorful. All these ancient books and such a great conditions, lined up and piled on historic shelf’s: wow! I have a feeling, that this place is still a gem for the individual traveler, there isn’t even an English Wikipedia-entry. You will find the Gabinete in Rua Luis de Camoes in a part of Rio called Centro. It is right in between the two Metro stops Uruguiana and Carioca. I would recommend a visit especially when it I a rainy day and you can’t do anything outside.
This article is dedicated to one of the finest British sport photographers, Monte Fresco. In his 30 years of reportage for the Daily Mirror, he took some of the most iconic photographs in sporting history. He covered football, tennis, and boxing. But it is his ice skating pictures that I am most fascinated with. Using my own lens, I give him a modern tribute.
"Is it acceptable to photograph the homeless?" is one of the most hotly-debated topics when it comes to street photography. There are two opposing sides to this: those who believe it is, and those who don't. For those who do, capturing such photographs is mere documentation of the world around us. For those who don't, doing so is a form of exploitation.
Janne Parviainen is a 35-year-old artist from Helsinki, Finland. He is both a painter and a photographer but sometimes, he swaps his painting tools for light and creates illuminated pieces of art. Abandoned places are his favorite places for shoots because, according to him, "there's so much lived life and stories in abandoned places, they are the lost diaries and photos turned to dust of lives that once bloomed."
Hamish Gill is a UK based photographer who writes 35mm compact, rangefinder, and lens reviews for his blog. We lent him a Jupiter 3+ lens and in return he gave it one of the most thorough reviews we've ever read!
In the work of Binh Danh, art is space for the unnamed to be seen. When war is the theme every detail counts. How does one person tackle this massive issue, where death and the value of lives intersect? A one-man job becomes a job about other men. And so for his series "Immortality: The Remnants of the Vietnam and American War" he made chlorophyll prints to express the indelible mark of war on various lands. Soldiers and laymen whose faces and records have been archived are given another chance to be remembered.
Stephen Dowling is no stranger to the LC-A 120 camera; he has brought it on trips to Brighton, Malta and most recently, on a holiday in Istanbul. In this feature, Stephen talks about his experience shooting with this medium format camera around the markets and mosques of one of Turkey's most colourful and vibrant cities.
In 2009, Neil Krug uploaded a commercial for Pulp Art Book on Youtube. In the comments section someone asked, “Does anyone know what kind of camera he uses or how he gets his pictures to look the way they do?” Krug was on to something. He did something wildly intriguing, one that looked to have a secret formula.
Vincent Chan doesn’t like constraints. He is passionate about natural and quiet environments. He launched Compose The Story, which provides photography and cinematography services, recently as a means for him and his colleagues to document the beauty of their surroundings. He brings the the Petzval 58 Bokeh Control Lens into the country, and shares glimpses of its beauty in pictures.
Alfredo Buonanno is a photographer who loves everything retro. When his friend Sergio showed him the Lomo'Instant Wide Central Park, Alfredo fell in love with the instant camera, instantly-- and it was the beginning of a beautiful new story. He recently took lovely, retro-style pictures with the Lomo'Instant Wide with the model Viktoriya Tori as his muse.
Tyler Mitchell is a young artist that, through his versatile work and photographs, has become one of the representatives of a novel, fresh wave in photography. He still enjoys directing films and truly believes in their magic.
Photographer AM Renault is a core member of Yamanaka Yuko and Six Dimen Boy. He is deeply in love with nature, a thing he always intertwines with photography and design. This time, Lomography is honored to have AM Renault shoot with the New Jupiter 3+ Art Lens. What's more, one of his photos has been chosen as the cover of the product package.
He calls himself Khalik Allah – a creator, a limitless, timeless, infinite being. He documents life as it comes and goes, as it hurts, as it glows inside the protagonists of his stories. His photography and videography take us deep into the never-ending nights of Harlem, a place where the darkness might seem to reach its peak. Yet, he is capturing light in its purest form, reminding us that it lies in everyone’s eyes, within everyone’s self.