I was given a bunch of T-Max in 35mm as a gift by a friend and it is one of the films I’ve had the opportunity to shoot many rolls of. I love it because it delivers great contrast between mid-tones and at the same time makes very pretty dark tones. At ISO 100, it’s a perfect match for a plastic camera to shoot outdoors and it delivers minimal grain, which is nice for making prints, which I’ve a few of off of T-Max 100 negatives and they’ve all been incredibly detailed when blown up to 5×7. There are just certain films that take to the kind of light that comes through plastic and single glass lenses, and I think T-Max 100 is one of those films. If you’re developing for yourself and you have either D-76 or the T-Max developer, it’s also a great time saver.
That’s why it’s my weapon of choice.
It could be your favourite film emulsion, a cheap plastic toy camera or the most fun accessory you have and they are your Weapon of Choice! Want yours to be seen here next week? Then just drop us a line at firstname.lastname@example.org and you’ll get to show everyone what your Lomo snaps are made of!
Stephen Dowling knows a hell of a lot about film photography, he recently released his own B&W film and runs various blogs which delve into the wonderful world of analogue photography. We couldn't let his expertise go unnoticed & have crowned him one of our TEN AND ONE AWARDS Judges for 2017
Martynas is one of the active community members of Lomography, who inspires people with his exceptional photography skills. He recently made a trip to India and the pictures he took along his way looked simply amazing, so we had to ask him to share his experience with us.
We are very pleased to have Dimitri Beck as a jury of our TEN AND ONE AWARDS. Dimitri Beck is the director of photography for Polka. We asked him questions about his work, photography and some defining moments. "Photography is of public utility" he says !
Hamish Gill has a passion for compact cameras and writes about them on his blog 35mmc. He also loves pretty much anything related to film photography, including lenses, which is why we lent him the New Russar+ lens to try out.
Khalifa Al Obaidly is passionate about photography and started taking pictures already as a child, when his father gave him his first camera. He now works for Qatar Museums as Director of Artist in resident programs and is one of our newest additions to the judging panel for the TEN AND ONE AWARDS 2017. Get to know him through this short interview!
UK based blogger, photographer, camera reviewer and all round film enthusiast Hamish Gill is now one of our TEN AND ONE AWARD judges. We talked to him about his obsession for compact film cameras and what inspires him to shoot with film.
The ambiance is a crucial factor to consider when shooting photographs as light, color, and texture make up the overall visual aesthetic of an image. The Lobster Redscale 110 does not only bathe pictures in striking red but in other hues as well.
Gabriel H. Sanchez is photo essay editor at BuzzFeed News and part of our TEN AND ONE AWARD judges. His poetic way of talking about photography in this interview not only proves his passion for the medium but most likely makes you want to grab your camera right away and snap your submissions.
Ray Litsala is a one-of-a-kind analog photographer who enjoys portraying women just the way they are; beautiful and confident. His models inspire him to create magical photographs, and along the way, he also tells their stories.
Raymond Chin is a fashion and portrait photographer from Hong Kong. In this digital age, he still chooses to work solely on film, lending a nostalgic, poetic quality to his enigmatic images. We're proud to welcome him as one of our TEN AND ONE Awards Judges for this year.
The American director is often making headlines in film circles nowadays, proving him to be one of the most important 21st-century filmmakers, and what can be said more about Wes Anderson than his special use of color?
The Swiss photographer Jakob Tuggener is one of the most significant industrial photographers in photography history, achieve through his series and book FABRIK, in which he studied the relationship between man and machine.