Another trick to get you clicking the shutter button more often!
Firstly, consider a scene where you like to have your doubles with. Next, secure your Diana+ on a tripod and shoot. After taking a shot of the scene (which is the first layer), it’s now time for the second one but this time have someone to be included on it and without winding your film, cock the shutter and just take another shot. For self portraits, it is always handy to have a cable release.
That’s it! you can expose the frame many times as you want to get that ghostly effect! Just select the smallest aperture to compensate the layers. Have fun!
Aside from browsing through beautiful photographs and reading interesting articles, hanging out in the shoutbox is another worthwhile activity to do in the community. Not only will you get updated on the latest in photography, you’ll also have a chance to share ideas, tips, and stories with fellow shutterbugs across the globe. The shoutbox is always brimming with entertaining conversation and it's all because of these Lomographers.
In man's world, true strength automatically means austere physical manifestations. More often than not, there is no room for softness and gaiety in the Latin American narrative. The lens-based artist Antonio Pulgarin rummages through old photographs and archives to change the story.
In this second installment of our special two-part feature on cinematic photographers, we take a look back to more photographers who have mastered the dreamy, often surreal aesthetic of cinematic photography.
We are thrilled to have teamed up with Barbican to offer YOU the chance to get tickets to see the Dorothea Lange and Vanessa Winship exhibitions – a photography double bill. You could also win a La Sardina Eightball too!
It's one thing to see celebrities on screen, and another thing in real life. Photographer Antonio Castello shares to Lomography Magazine his first-time experience at the 68th Berlinale as he documented the event with two brassy lenses — the Petzval 58 Bokeh Control Art Lens and New Petzval 85 Lens.
Most venues will have a huge in caps policy for "NO FLASH PHOTOGRAPHY" but when the only lights you have are on stage or just a light bulb in a basement or coffee shop, how do you capture a good exposure? These are the tips and tricks for shooting great photos with little to no light and no flash.