Hot off the press is this brand spanking kickass new Lomography x-pro slide 200. The colours are punctuated and really pop out when x processed. It has a high green /yellow content – which really contrasts to bring out red colours – This may well vary depending on the lab you use because each lab uses different chemicals and also paper and this will have a bearing on the end result! So image processing may well change from lab to lab and this is the reason why!
We as lomographers are used to that as experimentation is all part of the process – and really this is a most excellent slide film. I have shot with many and I must say this rocks – but hey! Don’t take my word for it – but take a look at the images! The depth is excellent, the feel is exciting – it rolls with pleasure over the eyes … Shots straight into the sun with the LCA worked out really well!
So I welcome you to a new chapter in our history! Let the experiments begin!
Browsing through the Lomography website, you can find a lot of redscale shots, which are all done on color negative films. I asked myself if it’s possible to redscale a slide or chrome film and then cross process it. (And yes, it is.) In this tipster I’m going to teach you how to create the bloodiest homemade redscale film I've ever come across.
We're thrilled to announce the new exclusive 16mm addition to the Lomography Film Family for experimental filmmakers! The Lomography X-Pro 16mm Motion Film is now available in limited quantities Online and in Gallery Stores worldwide.
Lomography have teamed up with The Marshmallowist who makes beautiful and colourful marshmallows to give you the chance to win their brand new cookbook, an Actionsampler with film AND some tasty marshmallows to match!
With an expanded field of view and its ability to produce high quality images and capture minute detail, medium format photography has become the top choice of many photographers. Lomography is working hard to make sure that it keeps going with the continued production of medium format film and cameras. The current issue of German magazine FOTO HITS focuses on medium format photography. And with this rumble, we want to prove why medium format photography is king. Take your Diana F+, Holga 120, Lubitel 166+ or the new Lomo LC-A 120 and show us your best square shots!
Lomography is always on the lookout for experimental and creative film, because we want to keep the love for analogue alive! We’re devoted to continually adding new and exciting films to our ever-expanding collection of photography products, both from our own production line and partnering together with likeminded companies. So in our ongoing quest to do so, we have teamed up with our friends at KONO! The Reanimated Film to share a totally new and exciting film with you — KONO! Donau 35mm Film!
New York is an infinitely photographable city in spite—or because—of its innate chaos. And even when the medium is film, praised nowadays for the virtue of slowness, the photographer must keep up with the city’s pace. Ricardo Lozano, 35mm photographer and Lomography community member, managed to do it for the series OK Commuter, now a book by A Love Token Press.
In order to escape the world of facts and figures, tax auditor Martin Dietrich discovered photography as his creative counterpart almost seven years ago. On a trip to Paris he fell in love with analog photography and the magic of film has been fascinating to him since then. But he also appreciates the benefits of digital photography. For Lomography he tested the Lomo LC-A Minitar-1 Art Lens on his Fuji X-Pro 1 camera. Check out Martin's photos and learn more about the founder of the popular Neoprime magazine.
It can be said that photography is more than just a click on the camera, it makes the moments, people and emotions live forever. This was confirmed to us by an exceptional Dutch photographer Ferry Verheij, whose photographs represent stories of all those people and places he had a chance to know.