LomoKino Review: The Kino is in the House

2011-11-05 1

There is a new member in the great Lomographic family – It’s called the LomoKino and it’s absolutely amazing. This camera is a super innovation that brings action to our lives – 100% analogue motion has come to Lomography!

Now that you’ve seen how beautiful she is, the most important thing is to get to know her on the inside too. This box is able to record movies of half minute on a 35mm film of 36 exposures. “Hoooooow???” – That’s what I thought when I had it in my hands; but when the Lomo-experts explained to me how it works, I understood it perfectly and it was very easy to use.

The film passes through the lens in a “vertical” way and splits each “normal” frame in 4 (like a vertical Supersampler shot). Therefore, in a 36-exposure roll we actually have 144 frames to create our movie. What’s that mean? It’s actually very easy, look at this:

Once the film is loaded, all you have to do is turn the crank, fast – Don’t be lazy! The volume display will tell you how much film is left – when it’s all red, our film is over.

While shooting, make sure the rewind wheel is spinning – It means that everything is OK and that you are making a movie! When the rewind wheel stops, the film is over.

The LomoKino is for the sun, for light, for outdoors. On a sunny day, use ISO 100. On a cloudy day, go for ISO 400. And if you are risky and want to shoot indoors, I recommend a very high ISO and a very powerful source of light. You can play with the aperture (f: 5.6, f:8, f:11). The focus on the LomoKino is from one meter to infinity, but there is also a close-up mode (0.6 m) – This works by pressing the button you’ll find on the front.

There is hot-shoe flash in LomoKino – But remember to use a high-end flash which recharges very quickly, otherwise it will be useless. I tried with Fritz the Blitz Flash and Lomography CN 100 film, it’s amazing! Maybe I have to turn the crank slower next time, but I love it anyhow.

If you get black frames like me, you can always cut them – watch it again:

Don’t be afraid to experiment with your LomoKino! Look at the beautiful colors you can get shooting with Lomography Redscale XR. Try different films, the results are incredible.

To purists of analogue, the LomKino is accompanied by the wonderful LomoKinoScope, a viewer that lets you watch your movies without digitizing. If you want to see positive, I recommend you to shoot with slide film and E6 develop. If you introduce negatives in the LomoKinoScope, you will see negative colors. I haven’t been able to try this. What I’ve done is to scan the frames and edit my movies on the computer. I’m not an expert in film editing, there are many things to improve – but hey, this shows that anyone can have fun and shoot analogue films without being Spielberg, right? We learn little by little.

The LomoKino brings a whole new world of possibilities to all Lomographers. Beware Hollywood!!! Lomo On!

More about the LomoKino

Bringing analogue back to the movies with a bang in the 21st century, the LomoKino is a Lomography movie camera that shoots spectacular, creative movies on all kinds of 35mm film. Head to the Microsite, watch some Movies and begin your analogue movie-making journey today!

written by susielomovitz on 2011-11-05 #gear #review #susielomovitz #lomokino

We’re fizzing with excitement to introduce our latest Kickstarter project: the Lomo’Instant Square. We’re talking about the world’s first analogue camera to produce square-format Instax pictures. It features a 95mm glass lens for super sharp photos, an advanced automatic mode that takes care of exposure, all of Lomography’s signature creative features — and a compact, foldable design. The Lomo’Instant Square has launched on Kickstarter. Come join the fun and back us on Kickstarter now to save up to 35% on the planned retail price, and scoop all sorts of extra treats. Be sure to snatch up the deals before they run out. Be there and be square!

One Comment

  1. blu132
    blu132 ·

    Well i would love to own one but to get the real effect of movement i would need at least 16 fps and with 144 Pictures the Film would be over before it started :/ And the developing of the Films would cost me very much so I am going to build my own camera with smaller frames and half film (17.5 mm)
    If developing wont be so freakin' expensive these days i would have bought it the first day it was out.
    Nice movies btw, but whats up with this horsehead its kinda creepy?!

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