Under the right condition, this slide film sure is one heck of a crazy film to cross process!
I remember seeing a Lomograph on this website a while ago — it was taken with a camera that I don’t really remember, but the film used was Fuji Velvia 100F. The image stuck on me until now; it displayed an amazing hue of reddish purple tone, with intense contrast and it just oozes brilliance. A shot that would make everyone proud, it was the Photo of the Day.
When I finally got my hands on Velvia for the first time, I didn’t want to use it until the trip to Macau. Thankfully, the weather is really sunny and bright, and I hoped the best for my photos to turn out good.
The results were amazing, with a little of mixed emotions thrown in. Scenes outdoors are near perfect, with the expected reddish purple hues across the image. However, in scenes under the shade or indoors, the red tint tends to be overwhelming, sometimes just too powerful to be handled. I think this film still works best under bright outdoor conditions where natural lighting is sufficient.
I can see this film as the perfect choice if you are spending your day outdoors hiking or shooting landscapes; either way the photos are going to be amazing!
Browsing through the Lomography website, you can find a lot of redscale shots, which are all done on color negative films. I asked myself if it’s possible to redscale a slide or chrome film and then cross process it. (And yes, it is.) In this tipster I’m going to teach you how to create the bloodiest homemade redscale film I've ever come across.
Toby Mason (aka fotobes) is a Brighton-based photographer who embraces the aesthetics of film photography. He mostly shoots with the LC-A+ using a range of slide films, cross processing them to create rich, highly saturated colours. His work has been featured on the BBC website and Hungry Eye Magazine. Join us for the opening night on Thursday, September 17 from 6 p.m.
With the right composition and the perfect subject, cross processing the Agfa CT Precisa guarantees spectacular, awe-inspiring results. From the delicate and scenic to the intimate and mundane, here are some views captured on cross-processed Agfa CT Precisa slide film.
See the world in a whole new way with our Lomography Fisheye cameras! Selected editions now on sale at 20% off! Fisheye cases at 50% off! Order within the month and get a free Fisheye keychain with every camera, and a free Circle Cutter when you buy a Fisheye case with your camera!
As many of you would already know, shooting under low light conditions requires more than a steady grip (or a tripod) if you're aiming for outstanding results. You must also have the proper gear, and that, of course, includes film. In this post, we list down five fast films that work their best under such conditions.
Colors may be amped to look unreal, like nothing of this world. Shots may be doubled, cross-processed, post-processed, mixed up into collages. The possibilities are infinite, yet some photographers still prefer black and white. Even in 2016, it is an ode to classic values of precision and balance. Light and shadow must be one pleasing dance. And just like in a well-choreographed piece, forms are obvious or playing coy. It all depends on how you're looking.
With its surreal, psychedelic results that easily remind one of fairy tale-like wonderlands, the LomoChrome Purple has quickly grown to become one of the most popular emulsions in the community. We're giving you that extra push in the form of more community-penned reviews to finally try this film yourself, if you haven't.
We constantly search far and wide, meticulously seek out, hunt down, and hand-pick some of the most experimental and alternative gear out there - and we've now gathered them all in one easy to browse shop category, ready for the picking! In the Lomo-Bazaar, you canalso be part of our process of collecting fresh new products, rare treasures, and crowd-funded creations to sell on the shop - after all, they’re all for you! Get in touch with us to share your suggestions for amazing gear - go on, we’re all ears!
Shooting at night or under low light conditions? Brighten up your snapshots with a burst of light with the Diana Flash! Take a look at these photographs courtesy of our rumble winners to see how it's ought to be done.
It's human nature to be restless and imaginative. The real may be interpreted as what one sees or how one sees something. For the daydreamer, a scene from nature transforms into a canvas. Suddenly a field makes room for chemical coloring, all those anachronistic streaks that somehow look right. Or else, those beautiful colors amplified or subdued to their most pictorial shades. All in the world of trial-and-process film photography.