Vibrant colours and fine pictures—this is what you get when you use this film. I’ve never even heard of this and I only found out when my uncle sent me some from a closing out sale in the States. It’s lovely to use and what’s more exciting is that it’s cheap! The colours definitely stand out. I’ve tested this this both in and outdoors and I’d have to say that’s exceeded whatever expectations I had from using it.
If I ever see this being sold locally, I’m sure to hoard this again. For a negative, it’s now one of my current favourites. I highly recommend that you don’t pass this awesome film up when and if you see one at the nearest mall or grocery store.
Earlier this year we were chuffed to launch a very memorable type of 35mm film: the Lomography Color Negative F²/400. We had recovered it from the last ever supply of an Italian filmmaker, and stocked it for seven years in special conditions. Much sought after for the film's nostalgic aesthetic, beautiful blue tones, with hints of X-Pro character, the F²/400 35mm rolls flew off our shelves like hotcakes – and rapidly went out of stock worldwide.
Match Singaporean photographer and filmmaker Clare Chong's skill and vision with the Daguerreotype Achromat, and it results in mesmerizing images straight out of a dream or perhaps, a world beyond ours.
King Schascha is an eclectic entertainer with a penchant for making funky beats. He's fascinated with the idea of analog media and had an amazing time testing out the Lomo'Instant Automat on the road in the UK.
Growing up with a family who preserves memories using film cameras, going the analogue way seems like the natural route for Jarrett Hayman to take. In this interview, he discusses his renewed passion for still images and why he prefers to shoot on film.