Most people don’t have access to very high ISO films. So what do you do when you’re out in the night with only 400 ISO film with your friends and want to take pictures?
I hate using the flash. On camera flash kills the pictures, kills the mood. And carrying around an off camera flash with a diffusion umbrella or a softbox, flash tripod, radio triggers is not the best of the idea (unless you own a mule which can carry your stuff outside).
So what do you do? Well here are some tips!
Underexpose by -1 stop : Film has great latitude, so one stop underexposure will not really have any major issues. Use a good scanner and you can take out great details from the negative.
Use More Black and White Films : The latitude of BW films is more than color films. So in case you got less light, you’ll be able to recover details from the negative.
Fast Lenses : The best thing about film cameras is that you can get your hands on a really fast lens for a really cheap cost. So get a fast prime lens, open it up and shoot!
Learn to Push Films : If your lab can handle it, then you can always push films. A pro grade film like Kodak Trix can be pushed by one stop or even two stops. For example, shooting 400 ISO TriX can be shot as 800 ISO or even as 1600 ISO and then developed at a higher ISO to produce results.
Put Emphasis on Highlights When Focusing: focusing in low light can be troublesome. So focus on the skin highlights since this will help you focus easily.
Can’t wait to get your hands on your very own Lomo’Instant Automat camera? Follow our quick tricks so you can master and get the most out of your instant camera once it comes knocking at your door! This time we want you to follow the bright light!
Earlier this year we were chuffed to launch a very memorable type of 35mm film: the Lomography Color Negative F²/400. We had recovered it from the last ever supply of an Italian filmmaker, and stocked it for seven years in special conditions. Much sought after for the film's nostalgic aesthetic, beautiful blue tones, with hints of X-Pro character, the F²/400 35mm rolls flew off our shelves like hotcakes – and rapidly went out of stock worldwide.
Thanks to Lomography the world can experiment again with the magic of color shifting films. But how does one use these films properly in different lighting conditions? Here are some tips about shooting with the LomoChrome Purple XR 100-400 and LomoChrome Turquoise XR 100-400 at night.
When experimenting with new rolls of film, it's often the first roll that brings both the most joy and the most trial & tribulation. We want to start highlighting some successful first attempts here on our Magazine with our films. The first in this line up is Brian Bruno aka Brunoroids.
By far the oddest-looking camera I own, the Electric Eye is an auto-exposure viewfinder camera made by Bell & Howell in the late 1950s. I picked one up online and ended up with another one, that came with a very cool, retro looking carrying case, from my grandfather. It took a little while to try these two out but after running some film I found that this camera is a lot of fun to shoot with.
Lomography and musician Pieta Brown are teaming up for a competition inspired by her song "In The Light". Pieta will incorporate submissions in the official video for the song "In The Light (with Calexico)" from her recent album of collaborations, Postcards (March 2017, LUSTRE RECORDS).
Do you long for the dreamy soft focus that only the Daguerreotype Achromat 2.9/64 Art Lens can give your photos? Grab it in the lens mount of your choice! Brass versions are now available for purchase in the shop!