Qatar has been one of my places of residence between 2007 and 2015. The country was buzzing, travelling towards the future at a dizzying pace. Doha, the capital is the beating heart of its nation. The future is already in the present, while at the same time the past is merely clinging on. My work on Le temps suspendu questions about these lost tracks and conceptualizes memorial sites. My idea was to capture the memory of something doomed to disappear or which has never really existed, namely the memory of a country with very powerful traditions but which, strangely, struggles to preserve its past, preferring instead to reconstruct a past out of elements of the new. I therefore went in search of this lost time with a feeling of emptiness and abandonment. I call upon memory and imagination through the romantic accents of the landscape. Ruins, stones, fragments, the desert, water, timeless characters. A certain melancholy is expressed in my images, as if I wanted to monumentalize these subjects.
Qatar has been one of my places of residence between 2007 and 2015. The country was buzzing, travelling towards the future at a dizzying pace. Doha, the capital is the beating heart of its nation. The future is already in the present, while at the same time the past is merely clinging on. My work on Le temps suspendu questions about these lost tracks and conceptualizes memorial sites. My idea was to capture the memory of something doomed to disappear or which has never really existed, namely the memory of a country with very powerful traditions but which, strangely, struggles to preserve its past, preferring instead to reconstruct a past out of elements of the new. I therefore went in search of this lost time with a feeling of emptiness and abandonment. I call upon memory and imagination through the romantic accents of the landscape. Ruins, stones, fragments, the desert, water, timeless characters. A certain melancholy is expressed in my images, as if I wanted to monumentalize these subjects.
Qatar has been one of my places of residence between 2007 and 2015. The country was buzzing, travelling towards the future at a dizzying pace. Doha, the capital is the beating heart of its nation. The future is already in the present, while at the same time the past is merely clinging on. My work on Le temps suspendu questions about these lost tracks and conceptualizes memorial sites. My idea was to capture the memory of something doomed to disappear or which has never really existed, namely the memory of a country with very powerful traditions but which, strangely, struggles to preserve its past, preferring instead to reconstruct a past out of elements of the new. I therefore went in search of this lost time with a feeling of emptiness and abandonment. I call upon memory and imagination through the romantic accents of the landscape. Ruins, stones, fragments, the desert, water, timeless characters. A certain melancholy is expressed in my images, as if I wanted to monumentalize these subjects.
Qatar has been one of my places of residence between 2007 and 2015. The country was buzzing, travelling towards the future at a dizzying pace. Doha, the capital is the beating heart of its nation. The future is already in the present, while at the same time the past is merely clinging on. My work on Le temps suspendu questions about these lost tracks and conceptualizes memorial sites. My idea was to capture the memory of something doomed to disappear or which has never really existed, namely the memory of a country with very powerful traditions but which, strangely, struggles to preserve its past, preferring instead to reconstruct a past out of elements of the new. I therefore went in search of this lost time with a feeling of emptiness and abandonment. I call upon memory and imagination through the romantic accents of the landscape. Ruins, stones, fragments, the desert, water, timeless characters. A certain melancholy is expressed in my images, as if I wanted to monumentalize these subjects.
Qatar has been one of my places of residence between 2007 and 2015. The country was buzzing, travelling towards the future at a dizzying pace. Doha, the capital is the beating heart of its nation. The future is already in the present, while at the same time the past is merely clinging on. My work on Le temps suspendu questions about these lost tracks and conceptualizes memorial sites. My idea was to capture the memory of something doomed to disappear or which has never really existed, namely the memory of a country with very powerful traditions but which, strangely, struggles to preserve its past, preferring instead to reconstruct a past out of elements of the new. I therefore went in search of this lost time with a feeling of emptiness and abandonment. I call upon memory and imagination through the romantic accents of the landscape. Ruins, stones, fragments, the desert, water, timeless characters. A certain melancholy is expressed in my images, as if I wanted to monumentalize these subjects.
My only contribution to creating this photo is a couple of grasses across the face and around the person in the photo. I bought three films from a lady who knew nothing about them, I assumed they were unexposed but unfortunately they were all exposed, so unplanned double exposures were created
Un de mes moments préférés de l'été 2021. On a pris le train bleu, longé la Méditerranée, vu briller son soleil. La plage, presque, rien que pour nous. Les crabes, les galets et le corps étendu sur les rochers.
My dear friend let me photograph her at home throughout one of our recent weekends. This was around three am after a night out in Austin, she was washing off the makeup and grime of the night. I love the green light
時間の流れ - Flow of time London 2021/07/21 Slowly moving back to the real world after 18 months trapped in slow motion. Picking up the camera again and setting up the home studio after a long absence from shooting to experiment with long exposure techniques and mixing strobes with constant lighting. Model & Make Up Scarlet Duggan https://www.instagram.com/scarletduggan/ Camera: Canon AE-1 Program with 50mm f/1.4 and 85mm f/1.8nFD lenses. Film: Lomography Colour Negative 35mm ISO800. #DJ #Model #モデル #Yukata #Portrait #ポートレート #Photoshoot #撮影 #London #LongExposure #ChromaAnywhere #Gelled #GelledLighting #35mm #ISO800 #Canon #AE-1Program #FDlens #Film #heylomography #Lomography #Lomo800 #Analog #Analogue #FilmCamera #filmisnotdead #35mmfilmphotography #filmphotography #35mmfilm #istillshootfilm #NigalRaymond #ナイジャルレイモンド
