Lomography

Your search "Fujifilm" resulted in 19 Articles

• Instants are yours for the taking…

  
  by lucasjakobsson
  posted about 1 year ago

  Instant noodles, instant coffee, instant messaging… we live in a fast-paced, instant world. Besides the convenience and ease that it brings us, Polaroid—style instants are fun! And when it comes to photography, instant cameras are the ultimate shiz. In just a matter of minutes, seconds even, images start to appear as if by magic!

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• Fuji Provia (120, 400 iso) staff-review

  
  by fookshit
  posted about 1 year ago
  3 comments and 16 submissions

  Fuji Provia: day in and day out or with an electronic flash, you can’t go wrong with this one.

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• Fuji Acros (35mm, 100 iso)

  
  by fookshit
  posted about 1 year ago
  37 submissions and 1 vote

  This monochrome champ gives awesome grey tones and razor-sharp results and is extremely fine grain. Wonderful for when you want to slow things down a bit. You can shoot with a full sun or with a long-exposure (or a flash!)

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• Fuji T64 Pro (120, 64 iso)

  
  by fookshit
  posted about 1 year ago
  one comment, 11 submissions, and 1 vote

  Tungsten film is designed to make the yellow light from a typical light bulb look white. Therefore, it has a strong blue cast (thereby cancelling out the yellow). Fashion photos know that shooting Tungsten film during the daylight will give a moody and awesome blue tone to your whole image. And using a yellow flash will create a natural-white subject in this bizarre bluesy world. It's AMAZING!

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• Fuji Superia (35mm, 400 iso)

  
  by fookshit
  posted about 1 year ago
  one comment, 17 submissions, and 1 vote

  Like Superia 100, it offers vivid yet natural colors but this higher speed allows you to stop action in sunshine and shoot without flash in lower light. 36 exposures. A great film for our plastic Lomography cameras - Fisheye, Supersampler, Oktomat, etc.

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• Fuji Reala (35mm, 100 iso) staff-review

  
  by fookshit
  posted about 1 year ago
  6 submissions and 1 vote

  Bold colors, great skin tones, and super-reliable performance means that Reala is quite possibly the best consumer-grade color negative film in the world. For real!

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• Fuji Superia (35mm, 1600 iso) staff-review

  
  by fookshit
  posted about 1 year ago
  one comment, 9 submissions, and 1 vote

  Simply the greatest high-speed color film. Load this into your LC-A+ to shoot hand-held without blurring in a variety of lower-light and indoor conditions. Unless it's really dark out, you can kiss that tripod goodbye. And the enormous grain this film provides gives a crunchy lo-fi look to your images which is seriously awesome.

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• Fuji Velvia (120, 100 iso)

  
  by fookshit
  posted about 1 year ago
  7 comments, 77 submissions, and 3 votes

  Velvia is world-famous as the most saturated slide film that you can buy. Shoot this on a bright day and develop it normally, and the results will knock you head over arse. When crossed, it gives you that wild Fuji green-blue color shift that we absolutely love.

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• Fuji NPZ (35mm, 800 iso)

  
  by fookshit
  posted about 1 year ago
  1 vote

  Do you have the need for speed? If you do - the NPZ 800 has it. If you don’t well it’s just a bonus to go with this premium quality, fine grained, high saturation film. Most films couldn’t cut it against this speedy amigo in a low light situation.

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• Fuji NPS (35mm, 160 iso)

  /magazine/films/2008/05/23/fuji-nps--35mm-160-iso
  by fookshit
  posted about 1 year ago
  8 submissions

  Now the ‘Pro’ part isn’t just a name. The colours, contrast and dynamic range are the business. Distinctively, the film keeps the velvety-smooth fine grain you would expect from a much slower film

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• Fuji Superia (35mm, 200 iso)

  
  by fookshit
  posted about 1 year ago
  24 submissions and 1 vote

  A good all-rounder. Easy to use with smooth, fine grain, enhanced colour reproduction and sharpness. The Superia 200 knocks out exceptionally true colours and is a faithful favourite.

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• Fuji Provia (35mm, 100 iso)

  
  by fookshit
  posted about 1 year ago
  3 comments, 35 submissions, and 1 vote

  When you don’t want to be slapped around the face with saturation, but equally don’t fancy the understatement of the Astia, this vintage is just the thing! The best of both worlds and does the fuji cross-processing thingy like.

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• Fuji Neopan (120, 400 iso) staff-review

  
  by fookshit
  posted about 1 year ago
  1 vote

  A really solid black and white medium format film that's perfect for the Holga. Fast ISO 400 speed, fine grain, and gorgeous black and white tones.

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• Fuji Sensia (35mm, 100 iso) staff-review

  
  by fookshit
  posted about 1 year ago
  2 comments, 265 submissions, and 1 vote

  This smooth brother is lovely when straight processed and wild when crossed. Cross processed Fuji shots have huge contrast and a total color shift towards green & cream, blue, or even pink - depending on your developer.

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• Fuji Pro (120, 160 iso)

  
  by fookshit
  posted about 1 year ago
  22 submissions

  pro-quality color film that's a little faster than the Reala 100 but has the creamy-smooth fine grain of a film that's much slower (say an ISO 25 or 50). Of course, the colors, contrast, and dynamic range are fantastic.

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