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It's not every day you walk into a photo lab with a small amount of cash and walk out with a lot more than you bargained for. For a mere £20 ($31.75) you can snap up 20 rolls of Fuji Reala 100 35mm 36 exp. That's extreme value for money, £1 ($1.58) per roll; that's something worth shouting about!
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Ferrania Solaris is a series of color negative films made by Ferrania in Italy. I recently bought a bunch of unmarked film canisters loaded with the 100 ISO variety that was recently expired. It's been my default choice since.
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Have you ever felt certain, after finishing a roll of film, that you were going to get a completely wasted roll back from the lab? I did. However, against all odds, the trusty expired Konica Minolta VX 100 Super film did not let me down! The only bad thing? I don't have more of it.
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On the first week of February, when I saw Lomography's special 3 for 2 on Lomography Film Packs offer, I ran to the Online Shop to place my order. What was my choice? Three Packs of Lomography Mixed Film 35mm, and I couldn't be happier with it!
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The camera that I have chosen for all of the pictures shown were taken with my trusty Diana F+ Zebra. In this review, I hope to discuss some selling points of this Lomography camera.
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When you think of a 100 ISO film, you always think “Oh, well, that’s not a high-quality film.” This is not the case for the Lomography Color Negative 100, because it's a film you can rely on. Photos look amazing, because colors are gorgeous even if you overexpose.
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Just before I left for Gurten Festival for partying, I noticed that I had almost no more films. I went to a photo shop to buy Fuji Sensia 100, but got Fuji Velvia 100 instead. Read about it after the jump!
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Like many test rolls with a new camera you are not yet familiar with, my first roll of film on my Diana Mini was a disaster! What salvaged it was the colors I got out of the Lomography Color Negative 100 film I used.
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For a long time, I avoided using the Lomography Colour Negative film in the dull UK winter months. I felt that given its slow speed, I wouldn't be able to get the best out of my shots. I have to say however, this has been disproved by my last few rolls of film.
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When asked what's special about Lomography, one of the first things that comes to mind is cross processing. The EBX is a staple for X-pro!
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Agfa Agfachrome RS 100 Plus Professional is a medium format slide film from a budget resolution by a photographer. It's the first of its kind that I had cross processed.
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Feeling curious about the result that can be produced by the Agfa Vista 100 film, I decided to get a roll of it and load it into my Diana Mini camera. To my surprise, it produced even brighter colors and sharper contrast than most of the usual negatives with ISO 100 film speed.
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This is my third review from the Rollei Creative Editions selection and this is the black and white version called Blackbird.
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It's Lomography's flagship 35mm slide film: X-Pro Chrome, and we aren't complaining! Results may be dangerously mind-blowing, radiant, and shocking to your non-Lomography friends! :)
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The fresh AgfaPhoto CT Precisa 35mm films are a bit different from the old expired ones. After cross-processing, you no longer get the dominant blue color shift as you used to get. Instead, you will get photos which are more greenish.
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Agfa CT Precisa is a handy 35mm slide film, which can deliver some strong color shifts when cross processed. Cheap and cheerful it's the stock in trade film for many Lomographers.
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One of the most popular films...right?
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Blue and green images produced by a film that is not manufactured anymore.
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Great colors and contrasts with Lomography CN 100 (35mm, 100 ISO)!
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Photos taken at dusk with this slow speed film produces pastel cool colors!
