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Diana F+ CMYK is my favourite clone of the iconic Diana, and one of the best birthday gifts I have ever received.
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There was a range of ultra-low iso slidefilms for artificial Tungsten light from Kodak that delivers all kinds of color-nuances and shades. These films were quite durable and stable, so they were actually quite suitable for many kinds of weather conditions and photojournalists, that always had to be sure that they can deliver results whenever it's needed. One of my favourites in this row must be the Kodak Ektachrome 320ET - a true survivor.
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You've all been there, it's the middle of the night and you are trying to get some well-deserved sleep, when suddenly, an idea hits you that's either mad or brilliant. What if only one flash on your Diana F+ just isn't enough?
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A simple cheap way to organize our negatives and keep them handy.
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Long lost but never forgotten, Kodak EIR may be completely discontinued and rarer than Charizard, but poke your nose in the right places, and you may just unveil a little gem.
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The Sprocket Rocket loves Fuji Superia 200! Read on to find out why I think Fuji Superia 200 is the perfect partner for the Sprocket Rocket for getting lovely colored sprockety goodness!
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What do you get when you process negative film in black and white, then reprocess it as colour? You get even weirder colours than cross-processing alone can ever produce! Read the full tipster to find out how!
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What do you like to see when you’re browsing through Autumn photos? Is it all about the natural colours or do we need some special glow?
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Fisherman's Cove is a Lomographer's paradise, and it amazes me how much you can escape from the city with only a 25-minute drive from the city of Halifax in the Canadian province of Nova Scotia. I've eaten some of the best fish and chips of my life here, and you will be able to turn and shoot in any direction!
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A film that shows the links between humanity and the rest of nature. The powerful images show how our life cycle mirrors the rhythm of our planet. I somehow came across this movie called "Samsara".
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Who said that colour negative film can't give colours as bright as slide films? Lomography Colour Negative 400 proves you were totally wrong!
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With its crazy saturation and colors, this unpredictable slide film will add vibrant new life to your lomographs. Read on to take a look at some photos taken using the Fuji Velvia 100 RVP!
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When I first joined the community, I was a little skeptical towards film swaps but the colourful surprises that you get are worth every penny!
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The Olympus XA2 is a camera that has been already reviewed many times. Why is mine different? It isn't really that different but hopefully, you will find it useful or interesting or both.
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It is officially the summertime here in the UK, but when the sun refuses to appear, get busy and put some sunny colour into your film instead! Here's how to do it in four easy steps.
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São Paulo aka Sampa has one of the world's most famous creative, underground, and alternative flavours. Coloured façades, graffiti, and diverse ways of street art are all around. Please, be my guest and lose yourself inside this real-life cartoon full of colours.
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A very cheap color slide film from Boots gives great colors, and is fantastic when either normally processed or cross processed. Learn more about this film after the jump!
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Reality. How do you tell what's real and what's not when you're dreaming? I try and capture the essence of a dream with my home made pinhole camera, which was my first run in with Lomography.
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A very cheap 35mm 200 speed colour negative film, gives nice tones and colours, and has nice amounts of detail. A great partner for any camera, as it can be used in mixed lighting situations.
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A classic camera with legendary status, makes taking SLR quality photos a breeze and is the perfect camera for taking out, a real grab and go camera.