So I called this Faux-MX because the double-layer synonymous with MX is what you think of when laying eyes upon the resulting image. Though the image in question isn't born within an analogue camera's womb, I was inspired by the unconventional union of two analogue-terrific images!
There is a certain mystery lingering around films that are out of production. Double that aura of being uknown, when the place of its origin is already gone. The perfect example is ORWO, the film monopolist in the deceased GDR.