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The Belair has to be one of the easiest cameras to use that Lomography has invented. Even a novice can get good very good shots from it. With a little know-how, you can achieve amazing shots with it.
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Einstein may have denounced the possibility of time travel, but the greatest thing about our first love, photography, is that it gives us the ability to stop time. This final Back to Basics article gives you the power to choose how.
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This film has to be the absolute cheapest black and white on the market. There is good reason for this, it's terrible.
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If you are looking for a great film, you just found it: Lomography Color CN 400. Learn more about this color negative film and why it's always a good choice in this review!
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When I bought my first lomography camera (what is now years ago), I loaded it with the film, which seemed to me to be the best solution for a “lomography beginner”. It was the Lomography CN 400 iso film, the film which proved itself to be a versatile companion for every situation.
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The Lomography Redscale XR 50-200 will surprise you with its incredible versatility. By varying the ISO from one shot to another, you will get a wide range of shades so much to make it appear that the photos were taken with different films.
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When you start in film photography, you may be suprised to be constantly told to 'stop' it. This isn't us being mean, it's a fundamental of photography.
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Good negatives make good prints. Bad negatives make prints that are too dark or are all blown out. This tipster is all about getting the balance right.
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Now that it's winter time, you will also have the problem, that you need higher ISO films which are more difficult to find. Here is a little guide about all the possibilities for taking most out of the winter!
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Shooting with expired film is always a gamble. If you remember to expect the unexpected you'll always be pleased. In the end, isn't that what it's all about?
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Redscale is the most simple experiment a lomographer can undertake (before you hit the dishwasher). But what does extended range mean and how can you use it?
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Getting blurry shots when you shoot inside? Night shots all browny looking or washed out? Got no detail in clouds or snow or on beaches? Get the right film for the job.
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The Olympus Trip 35 is a cracking little camera that is capable of some stunning results from it's 40mm f/2.8 Zuiko lens. Here is a short guide for getting the best results from this camera.
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ISO, ASA, shutter speed, aperture, f/-stops, cloudy, daylight, nighttime, long exposure... The world of photography houses a whole new language and it's not always easy to know which film to use when to get the best results. I'm going to list some quick tips to hopefully help you.
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Do you remember when you got your first coloring books or fingerpaint set as a child? Weren't you excited to create a crazy fantasy world with all those fun colors? Draw and doodle to your hearts content? Maybe even make handprints on your wall (provided you had understanding parents!)
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Not sure what speed film to put in your camera? Not even sure what film speed is? And what the hell is cross-processing?? Be confused no longer..
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As part of our tireless quest to bring you the most complete analogue film information on the planet, we present Part 5 of the Great Big Lomography Film Bible: Colour Reversal/Slide Film Edition. Today, it’s all about Lomography and Rollei films!
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As part of our tireless quest to bring you the most complete analogue film information on the planet, we present Part 4 of the Great Big Lomography Film Bible: Colour Reversal/Slide Film Edition. Today, it’s all about Kodak!
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As part of our tireless quest to bring you the most complete analogue film information on the planet, we present Part 3 of the Great Big Lomography Film Bible: Colour Reversal/Slide Film Edition. Today, it’s all about Fuji!
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As part of our tireless quest to bring you the most complete analogue film information on the planet, we present Part 2 of the Great Big Lomography Film Bible: Colour Reversal/Slide Film Edition. Today, it’s all about Agfa!