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Making your own redscale film is an easy job with 35mm film. So choices are limitless, you can just flip any and every CN film out there. But redscaling a medium format film is a whole different ball game, and is a lot easier said than done. Buying redscale 120 is basically the only viable option. And even though choices of pre-made redscale 120 film are limited, that's OK, since one of those is the perfect redscale film: Lomography's XR 50-200!
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Now, 110 format enthusiasts can enjoy that wonderful redscale effect most commonly seen in 35mm format. So whether you like red or orange tones in your photo, transforming your pictures into GOLD, or adore those rich retro sepia tones in your 110 image, the Redscale Lobster 110 film is your winner.
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Not so long ago I had the opportunity of going to Venezuela for my cousin's wedding. I knew it was going to be a sunny day and I didn't hesitate to take one of my favorite films, the Lomography Redscale. Keep reading and take a look at the results...
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Before we had that red-curtained icon on our gadget's dock, real photo booths actually existed. Closet-sized boxes with cameras and lights installed, sitting on street corners, ready to take your coins and picture... Check out some oldies but goodies from the photo booths of yesteryear.
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Sepia or Toning the Prints occurs when you play with the paper and the toner while printing black and white films in the darkroom.
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London is a city that houses several famous tourist spots and historical landmarks, among them the statuesque Tower Bridge. If you're curious about the history of this majestic bridge, take a look at some interesting photos showing the Tower Bridge's construction after the jump!
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Around this time of year everyone is getting all set for school and then soon enough, the leaves start changing and falling. Last year was my first year experiencing this in the Northern hemisphere and all the amazing colours. But what happens when you take the bright colour away and see if only in silver shade? This.
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"I longed to arrest all beauty that came before me, and at length the longing has been satisfied." – Julia Margaret Cameron
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Experiment with sepia! This is what you can achieve by printing your redscale xr film in sepia.
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A collection of Lomographs by Emily Beaver on exhibition at Tatty Devine, 236 Brick Lane, London.
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Two films in one! Firstly the bad news: This is not a black and white film for purists who love the deep black and the clean white. But there is also good news: it can be developed in C41-process! Therefore the development of this film is as affordable as the one of colour films!
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Like Asia's diverse set of tastes, cultures, flavours and colours this rumble brings to us some monochromatic thrill with an Eastern twist.