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For their first task, the US CitySlickers will show us around their towns and cities, documenting their experiences in analogue and telling us stories along the way. Now, let us join Noé as he takes us around town and introduce us to his side of Los Angeles!
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I'm sure you know how to force a long exposure using your favorite LC-A+ camera. By simply by covering the light meter with an electric tape or your finger will fake your LC-A+'s light metering system. Simple right? But in this quickie tipster, I'll teach you the simplest way to do it!
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Reality. How do you tell what's real and what's not when you're dreaming? I try and capture the essence of a dream with my home made pinhole camera, which was my first run in with Lomography.
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Shadows, as we know it, are dark and maybe gloomy. In this workshop, we’ll be showing you how to take double exposures to an interesting new level, and making shadows and silhouettes work for you to produce amazing, one-of-a-kind lomographs.
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Everybody wants to be a star this holiday! Ever wanted to be on a two-page magazine spread? At this workshop, you will be your own editor and model for your own magazine. With the power of multiple exposures, we’ll get you there!
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Silent and shy in school but fun and outgoing outside of it: we tend not to show our true selves when we’re in school and when we’re out of school. With the Splitzer on the LC-A+, unleash your two different personalities in one photograph; one when you’re in school uniform and the other when you’re not! Come in pairs for this one!
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Some may hate it and think of it as an awful mistake. A miserable effect brought by some bad move in analogue photography. While others, hail it and accept it as part of this mysterious challenge we call Lomography!
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As lomographers, there are two opposing forces that heavily influence what we imprint on film: darkness and light. How do you get them to work together to your advantage? Try snapping silhouettes!
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You've used your analogue ammunition, submitted to us your most explosive light grenade-stricken skies, and we've chosen the best ones! Find out who the winners are in this competition right after the break!
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It’s time for our Tipster of the Week! This week, we chose a Tipster that will leave you feeling hot! Read on to find out what our Tipster of the Week is all about.
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When you start in film photography, you may be suprised to be constantly told to 'stop' it. This isn't us being mean, it's a fundamental of photography.
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So, you keep getting expired film cast offs gifted to you? Or you're flat broke and buy cheaper, expired film just so you can save enough to process it? The question always is, will it be worth the risk? Agfa HDC was more than worth it for me.
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Here is a litany of who, what, when, where, how, why I take portraits.
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See what you can do with your Holga when you DON'T use the 12 or 16 mask. It's naked, leaky, and overlapping fun. I have been using my Holga without either the 12 or 16 frame mask and have been getting some really nice results. I love the exaggerated vignetting and light leaks that occurred on every picture. These pictures all came from The Art of Waiting roll from September 2010, shot on Fuji Velvia.
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Do you agree with me that double-exposing your film means bringing trouble to yourself? Some people will describe it by saying, "Well, I just want to take a risk. I really think that it could be different in the way we see in reality." Or, some people might even say that you must have your luck and faith in your picture while you plan to the take doubles. So, which person do you agree with? The 1st, 2nd, or 3rd?
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There's big difference between just take a photo and shoot a portrait. In portraits, the work is even harder: you have to capture your subject's most relevant traits, his personality and peculiarity. Without forgetting a good composition. So here you are some easy tips and guidelines to plunge safely into portrait photography world!
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Well, I decided to try my hands at developing paper photo. And for that I had to set up a dark room and I don’t have a lot of space here at my home. See what I did after the jump.
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Photography can be considered a visual language. Photos capture an event and that instance that is frozen in time can communicate a story. Let’s take a look at some elements that make up the language of photography.
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Here's a trick on how you can get light leaks without opening your camera! Read on for the steps.
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This tipster shows how a used CR2 battery from an LC-A Instant Back+ or Diana Instant Back+, can be turned into a lightpainting device. All you need is an empty CR2 battery, a LED, a film container and some sticky tape.
