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Maybe some Lomographer thinks that slide film has great color saturation results. Well, without slide film, you can still make great pictures!!
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Don't worry about overexposing your film. Redscale it and shoot pinhole
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Red, yellow, orange, or sometimes even blue. Oh, the surprise redscale film can bring! It's a mystery we just love to discover and play with!
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This was the summer of skate: from skateparks to DIY spots to invited adventures. One trip in particular sticks in our mind and on our negatives. A weekend shooting skate in Malmo and Copenhagen which we caught using the LC-A and a roll of redscale film (amongst others). The shining sun allowed for rad tricks to be perfectly exposed on our film, capturing redscale radness.
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It was this summer at Azores. I thought I had a very cool brand new color slide film in my camera, and I just finished shooting...I get the film out of the camera and...it was a redscale! I was devastated! Until I saw the results.
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Through dialogue and haiku, I would like to share with you guys my journey through the country of Morocco in late January. Loved it? Nope!
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A fine weekend in London with nothing but blazing sun and blue skies! Highly unlikely I know, but a great chance to try out my first roll of Lomography Redscale 100 in my Holga GN 120. The results raised the question: will there ever be enough light for Lomography Redscale 100?
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I had bought a roll of Rollei Nightbird in 35mm some months ago and I was saving it for a special occasion. In early July I had the chance of spending a weekend in Paris and I just focused mostly on taking photos. I loaded my Lomo LC-A+ with this film roll and gave it a try. These are the results and my feeling about it.
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The Lomography Redscale XR 50-200 will surprise you with its incredible versatility. By varying the ISO from one shot to another, you will get a wide range of shades so much to make it appear that the photos were taken with different films.
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The Musée de la Vie Romantique or The Museum of Romantic Life, stands at the foot of Montmartre Hill in the IXe arrondissement, 16 rue Chaptal, Paris, France. It’s a small museum hidden in a quartier called Nouvelle Athènes famous for all the romantic writers, musicians, actors and painters that formed the elite of the Romantic mouvement in the 19 century.
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Agfa Vista 400 is a good all purpose film. But it's more than that. Try redscaling it for a change!
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I ordered myself a big bunch of Ferrania Solaris 200 films. The films I got have only 12 pictures per roll (must be the reason why they were so cheap), and since then, I always use them for testing. I did nearly everything to this films (overexposing, underexposing, pushing, pulling, redscale, cross-processing in E6), and I now want to present you the results.
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I've used a handful of redscales—DIYs and Lomography Redscales. For DIYs, a good number of times, they are underexposed, for Lomography Redscales, some shots are still underexposed. Without going to too much analysis about film density and time exposure, I figured double exposing them would do the trick.
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Redscale pictures are RED! But with Lomography Redscale XR (Extended Range) you will get all tones of orange and yellow, even green and blue in one single film!
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Here's a redscale film that gives a retro feel: the Lomography Redscale XR 50-200. Using a Canonet 28, I set the ISO to 50 and got the results that I was hoping for.
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A review of the Lomography Redscale XR 50-200 35mm film and its plus and quirks with examples.
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This is a bit of a story/review of the 2 different redscale 35mm films made by Lomography, and how I changed my mind about which one was/is my favorite film to use of the two.
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I've always been intrigued by redscale film and I knew that the city where I live, Leeds, England and my diana mini were the perfect way to try out my first roll!
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Exploring the ruins of the Treadwell Mine on Douglas Island, Alaska.