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Last year, I stumbled more or less by accident into my old analogue cameras on the attic. Although I also use a digital SLR, I could not resist to pick up those old cameras again to take pictures!
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Gearing up for summer, I've decided to look around the Lomography Online Shop and replenish my film stock. There are some old favourites available and new emulsions that caught my eye. Here are my top 5 film recommendations!
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A month ago my girl bought Lomography Orca 110 in my friend's store because she was awed and curious about using the Fisheye Baby. So she bought one!
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Long ago, on my eleventh birthday, I got my first photo camera, a Kodak Pocket B-1 camera. Recently it resurfaced, and I started to use this robust little camera for the 110 format again.
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Cross-processed films are known for their amazing colour rendering. I figured there was a pretty good chance a sea of snow would do something interesting. And it did. While I'm not sure I love it, the Peacock plays well in the snow.
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My first Lomographic camera was the Fisheye No.2, I used it since 2008 and now in 2013, I got the Fisheye Baby 110. To be fair, that's about five years ago. With Lomography now selling 110 films, I think it's the right pace to taste something different and all I can say is : Lomography Fisheye Baby 110... Baby, I'm yours!
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110 is back! A very small and portable film format extinguished for some years now, comes back from the dead and with a new a brilliant furry coat. Let me tell you something, this tiny film cartridge packs a huge roar. Read all about it after the jump.
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When I received the package consisting of Fisheye Baby 110 and Lomography Color Tiger 110, I just knew it I would have a great time with it! . To be honest, this is my first time using Lomography Color Tiger 110 so this review is about my first impression with the tiger! Raaawwrrr!!
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To celebrate this year's World Pinhole Photography Day, I've been making pinhole cameras in all the film formats I'm familiar with: 35mm, 120, instant film, and now...110!
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I was prepared for the Lomography Color Tiger 110 film to be a simple colour film, low-fidelity, reminiscent of the poor colour reproduction of the 110 of my childhood. I could not have been more wrong!
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Come and get yourself some pocketful of sunshine with these delightful Diana Baby 110 snaps from the community!
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Oh baby, baby, baby! Get ready to dive into the world of pocket photography, with the spotlight on Lomography's pocket princess, the Diana Baby 110, in this installment of Reviews on Rewind!
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Bunny-hop your way to the Shop and snatch up our Easter deal. Our adorable Baby 110 cameras have been priced at a cracking 35% discount both in the Online Shop and Lomography Gallery Stores!
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Last year, the 110 film format celebrated a glorious comeback with the Diana Baby, the Fisheye Baby and various films. The resurrection of the discontinued format took the analogue photography world by storm. One of the people excited by the cameras and film format is Michael Raso, producer and host of the Film Photography Podcast. Read on for his thoughts on the Diana Baby and a video review!
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Not that very long ago, almost at the same time as Lomography, a small company called Films Reborn developed a new colour negative film: Fukkatsu 110, with a film speed of 400 ISO. As the proud owner of a Pentax Auto 110, I became very excited, because Lomography Color Tiger 110 was completely sold out. The name of this film is no accident - Fukkatsu is Japanese for 'reborn'.
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She is really tiny and very cute, the Diana Baby 110. In this review, I want to tell you about my first experience with this miniature camera!
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What's the best Lomography film for overcast conditions? How do I get that warm honey tones in my photos? Everything that you need to know about Lomography Film is now just a click away - in the Lomography Film microsite!
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You need to try it, this dinky little Redscale film!
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Why settle for the regular 24mm lens on a Diana Baby110 when you can go WIDE and fit so much more into your 110 shots with the awesome 12mm lens? It's true what they say: great things DO come in small packages!
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Now, 110 format enthusiasts can enjoy that wonderful redscale effect most commonly seen in 35mm format. So whether you like red or orange tones in your photo, transforming your pictures into GOLD, or adore those rich retro sepia tones in your 110 image, the Redscale Lobster 110 film is your winner.