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I ordered myself a big bunch of Ferrania Solaris 200 films. The films I got have only 12 pictures per roll (must be the reason why they were so cheap), and since then, I always use them for testing. I did nearly everything to this films (overexposing, underexposing, pushing, pulling, redscale, cross-processing in E6), and I now want to present you the results.
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Kodak discontinues ALL SLIDE FILMS! The announcement makes me angry and disappointed at Kodak. Everybody, please speak out about this, we still need Kodak Slide Films!
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Now that it's winter time, you will also have the problem, that you need higher ISO films which are more difficult to find. Here is a little guide about all the possibilities for taking most out of the winter!
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When I got the LomoKino in my hand, I started directly filming with this great camera. But as I did not have any ideas at first, I was just filming around - friends on a holiday or flying seagulls - which is a nice and important approach to get to know the camera. But after a while, I felt that I wanted more. I wanted to create films with a *real* story, which are also for others funny to watch. I had some ideas, which I now want to share with you.
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X-pro is one of those things us Lomographers just flat out love. We experiment with color, cross slide films and find new combinations that make even more color jump off of the images. If you're new to this, or just want to learn more, come and enroll in the X-pro workshop!
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Fuji Sensia 400 is the ideal film for all weather conditions, allowing you to take photos in bright, sunny days or cloudy, and even rainy days.
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A few weeks ago, I bought some rolls of recently expired Agfa CT Precisa. Here are the results when they are developed normally. Although the film was expired, the photos that resulted were outstanding.
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Stunned by the romantic purplish pink tones that Lomograpgy X Tungsten 64 brings you after cross processing? Please take a deep breath, as you’re just about to dive into the cool blue ocean of its E-6 images!
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Fuji Velvia 50 RVP has, for many years, been the film of choice for professional landscape photographers. And when you use it for this purpose, or for still life, you'll see why. But cross-processing it yields fascinating results, too.
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There aren't many film types I've used and not liked in one way or another. On the other hand there are some films I've used and I've been utterly amazed. Which category does Fuji Sensia 400 fall into? Read on to find out!
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Everyone is familiar with Lomography X-Pro 200's yellowish green tone when it is cross-processed. What happens when it is E6 processed? I tried it in 4 cameras and uncovered its original golden tones.
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I have shot with this film recently and am quite surprised with the various colors I got: blue, pink, purple, etc. Don't believe me? Read on and see the photos!
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Failure is often the answer of E6 processing to me. The first time I tasted the feeling of satisfaction was when I got the photos taken by Kodak E100G.
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I was wondering that the pull-processing thing for a long time and i finally tried it. So let's start with a definition:
PULL PROCESSING is a technique that compensates for overexposed film by under- developing it at the processing stage; thus it is the opposite of push processing.
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Agfa CT Precisa has blue tones, great balance between color contrast and visibility, and reasonable price. I just love it and I'm lucky to have the last chance to taste the European Blue for XPRO. Let's see how great it is.
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Agfa CT Precisa is a handy 35mm slide film, which can deliver some strong color shifts when cross processed. Cheap and cheerful it's the stock in trade film for many Lomographers.
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Glorious saturated colors without much of a color shift and good performance in varied light conditions make Fuji Provia 400X 120 my stock film for my Diana F+.
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This camera eats film like the leviathan swallows ships. Find here a few tips about this pinhole monster.
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Even though I have been using my Lubitel 166+ for a while, I used to take mostly 120mm pictures. Yet, it will be a waste if I don’t use the extended function of Lubitel 166+ that other Lubitel cameras don’t have, that is, the use of 35mm films that take photos with sprocket holes.
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A Lomo-Greenhorns happy accident: Developing Rossmann ISO 200 in E6: XPro a little different! The affordable Rossmann ISO 200 is wonderful for these experiments!
