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I tried this film and I love it. Don’t hate me but I prefer it expired. Check out some ideas on how to use Agfa Vista 400 after the jump!
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Saturday, May 5th, we had a fling at the Lomography Gallery Store Gramercy in NYC... a fling with film! Our Spring (Film) Fling workshop taught participants all they needed to know about choosing the right film for their personal Lomographic style.
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Here is a short review on the Lomography Lady Grey B/W film and how art can be made with it using a green-yellow filter and a camera.
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A short review of the Lomography Earl Grey 120 and how this film works in combination with a yellow-green filter, a train station and a mine.
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When you start in film photography, you may be suprised to be constantly told to 'stop' it. This isn't us being mean, it's a fundamental of photography.
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Here's a short brief of how I expose all of my expired film, and the exposure times and ISO I used. This tipster also tells about how different expiration dates influence the speed of the film.
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Good negatives make good prints. Bad negatives make prints that are too dark or are all blown out. This tipster is all about getting the balance right.
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The Klick Max 200 is a perfect companion if you are looking for faded photos with a hint of nostalgia.
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Why does a film expire? What's the difference between expired film and fresh film? You'll find the answers to these questions and more in this Tipster!
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Now that it's winter time, you will also have the problem, that you need higher ISO films which are more difficult to find. Here is a little guide about all the possibilities for taking most out of the winter!
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Shooting with expired film is always a gamble. If you remember to expect the unexpected you'll always be pleased. In the end, isn't that what it's all about?
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If you are new to redscale film or not really experimented with it, this is a great tipster, experiment with the ISO of the Redscale XR, to see which colours you like best, unless like me you can't decide!
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Redscale is the most simple experiment a lomographer can undertake (before you hit the dishwasher). But what does extended range mean and how can you use it?
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In which our hero divulges confidential trade secrets or, tips and tricks to try with your next roll of redscale film.
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Getting blurry shots when you shoot inside? Night shots all browny looking or washed out? Got no detail in clouds or snow or on beaches? Get the right film for the job.
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Have you ever seen those old 80's movies where the colors are in a way intense, vivid and with an interesting contrast? Well, with the Lomography CN 100 you've got that and more!
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If you are looking for TRUE colour, the Lomography Color Negative 100 might be the film of your choice. Read on to find out why!
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Some of the lomographers might have experienced this: they got these really intense red photos from the Lomography Redscale XR when shooting with their Holga or Diana. Some of them like it, but what to do with those who don't? Read on to learn how to get vintage-looking photos from this film with cameras that can't rate ISO.
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Reporting back on the rip-roaring raceday at Ffos Las Racecourse with the Diana Mini and Coronet Rapide. Read about the event after the jump!
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Redscale film is one red natural film, made to provide us with awesome vintage photos and ghost golden ones. You can find one in Lomography Store or you can make one by yourself.
