Lomography

Your search "cross-process" resulted in 49 Articles

• The Peacock in White: Snowy Shots in 110 Cross-Processed

  
  Cross-processed films are known for their amazing colour rendering. I figured there was a pretty good chance a sea of snow would do something interesting. And it did. While I'm not sure I love it, the Peacock plays well in the snow.
  May 06, 2013 2 likes

• Perfect Combination: The Diana, the T64, and the Coast

  
  There are films and cameras that are simply and clearly made for each other and the photographs they produce together are just pure poetry.
  February 27, 2013 8 comments 20 likes

• ★ LomoAmigo Charlie Wagers Tries out the Sprocket Rocket

  
  A LomoAmigo who usually shoots with a Diana, Charlie Wagers reveals photos from his first attempt with the Sprocket Rocket! See the panoramic goodness by reading more.
  February 25, 2013 5 likes

• Extreme X-Pro with the Horizon Kompakt

  
  If you like extreme X-Pro effects that will make your pictures look like they were shot on another planet, load your Horizon Kompakt with a slide film. For what I've experienced so far, all of them give crazy X-Pro results!
  October 15, 2012 3 comments 12 likes

• X-Pro Hit and Miss with ECN-2 FIlm: Not My Brightest Idea

  
  X-pro is fun for all right? Well, there are a few misses when cross processing and I found one. ECN-2 film and C-41 chemicals aren't the best of friends but come out with some interesting results.
  October 02, 2012 2 comments 4 likes

• ★ Pushing, Pulling, Cross-processing – What?

  
  Certainly you have already heard of pushing, pulling and cross-processing. But what exactly is it? And how does it work? In this tipster I want to present you different ways of developing films.
  September 06, 2012 6 comments 45 likes

• Mixing It Up with Film

  
  In this review, let me share with you my first experiences with the Lomography Mixed Film Pack and my Diana F+, and some of the resulting photos.
  July 26, 2012 2 comments 2 likes

• My X-Pro Surprise

  
  Imagine my surprise after cross processing an expired Fuji Velvia100. Soon after getting my very first Lomo camera, an LC-A+ in December 2011, one of the first rolls that I used was an expired Fuji Velvia 100. Since Lomography is known for cross-processed images, I was eager to see the results.
  May 30, 2012 4 comments 4 likes

• Pushing Your Supersampler to the Limit

  
  When I first bought my Supersampler I stuck to the advice of the manual and used ISO 800 film, but I started to wonder if there was another way.
  March 06, 2012 7 comments 26 likes

• Sitges Carnival Workshop - Through the LC-A+ lens ended over 1 year ago

  
  Come with us and enjoy the colorful carnival of Sitges with our most well regarded gem, the LC-A+! We'll put cross processing and double exposures to the test, shooting away the wonderful customs and characters that join the party.
  January 31, 2012

• ★ Overexposure: It's a Beautiful Thing

  
  With my first try at the Lubitel 166+ and manual settings in general (with no light meter), it's no surprise that my slides came out overexposed. But in the end, I actually really like the overexposure effect! Dreamy, bleached, otherworldly tones of cream and turquoise make for some genuinely gorgeous cross-processed slides. Read on to find out more!
  December 22, 2011 7 comments 29 likes

• Analogue Glimpses of a Digital Music Video Shoot

  
  In these times, music videos are given the electronic treatment by being shot digitally and undergoing post-production through computer technology. As an analogue enthusiast, I think it's okay to save those SD cards for another time, and retain some analogue elements by capturing behind the scenes moments on the set with a film camera.
  November 03, 2011 6 comments 6 likes

• Kodak Elitechrome EB (ISO 100, 35mm) Cross-Processed

  
  When it comes to cross-processing slide film, Kodak Elitechrome is my number 1 choice.
  October 14, 2011 4 comments 18 likes

• Holga 135: A Camera Producing Stuttering Images

  
  A camera which loves the spring, and takes stuttering images!
  August 26, 2011 1 comment 10 likes

• Kodak Ektachrome 64T: Only X-Pro

  
  Excellent film who loves a lot of light. The film provides a vivid saturated colors and excellent sharpness. Cross-process of this film should be reminded your old, overexposed home movies.
  August 05, 2011 4 comments 20 likes

• Agfa CT Precisa (35mm, 100 ISO)

  
  If you like the excitement of discovering new things or you’re just into unexpected surprises, then Agfa CT Precisa is the film for you! Just load it in your favorite analogue camera and start shooting; then ask your local lab to cross-process it and you’re done!
  July 28, 2011 1 comment 5 likes

• Lomography X-Pro 100 Review

  
  In sunlight, you must have this film. It thrives in the right conditions!
  July 27, 2011 3 comments 17 likes

• Tell That To Agfa CT Precisa!

  
  Yielding a bluish (and sometimes, greenish-slash-yellowish) tones that are often quite unpredictable, let me say that this film is simply one of the best!
  July 20, 2011 4 comments 11 likes

• ★ Kodak Elitechrome ED (35mm, 200 ISO)

  
  The Kodak Elite Chrome ED is my absolute favorite film. It has incredible contrasts and delicious colors.
  July 19, 2011 8 comments 26 likes

• Holga Wide Pinhole Camera (WPC): User Review, Exposure Table, and More

  
  This camera eats film like the leviathan swallows ships. Find here a few tips about this pinhole monster.
  July 05, 2011 24 comments 56 likes