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Photographer/writer Rob Simons has collaborated with Werner Herzog, and made him smile, more than once. If that doesn't indicate his talent, we're not sure what will! He's featured in a slew of magazines, including Iconology, which we found a lovely series of urban, photos, shot with the LC-A!
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My first reaction whenever I see these pictures is to put them in a box and never look at them again. But to me, Lomography is all about experimenting and not everything can come out good. We just have to take the best out of everything -- that's why I decided to write a review about this film that I definitely don't like.
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There aren't many film types I've used and not liked in one way or another. On the other hand there are some films I've used and I've been utterly amazed. Which category does Fuji Sensia 400 fall into? Read on to find out!
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I have heard and read about cross-processing slide film for a long while now. But only recently was I able to purchase and test one. As it turns out it was the cheapest one available at the store, but for a first try it was okay. The results of my first cross-process experience left me with a bit of mixed feelings, in a good way.
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Having taken lots of photos of saturated colours, you may sometimes want something lighter. I strongly recommend Kodak E100G for you.
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The Afga CT Precisa 100 lives up to its reputation as one of the top slide films for xpro junkies!
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After cross-processing, the expired Konica Chrome 200 (SRM) looks like a past, but unfaded memory, which feels different from other common slides in market.
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Fuji Velvia 100, a 35mm slide film first produced in 2005, is unarguably one of the most popular films amongst budding analog photographers today. And quite rightly so -- when used in the right conditions with the right camera, the film produces stunning images unparalleled by any other.
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This tipster is simple and most probably written before but just want to share with some of you guys who left me a message about how i go about using the silhouettes for my double exposures.
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Surprise and anticipation are two of the very best things about analogue photography. It’s exciting, fun, and a thousand things digital photography can’t possibly be. But sometimes the surprises aren’t so super, like when an alternative processing experiment goes horribly wrong, or the back comes off your camera and exposes the film inside. And then there’s that occasional roll of damaged film that’s too damaged and the negatives end up being a long strip of nothing at all.
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I love film. I don’t just shoot it, I collect it, scavenge for it, hoard it. I’ve sacrificed half of my refrigerator and freezer for it and still, I can’t get enough. I am a film freak and I’m not afraid to say it. I know it’s obsessive and that I’m an addict.
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Fuji Velvia wasn't my favorite film at first. In fact, I bought a bunch of expired rolls of this film, and then after a few test rolls, I wanted to sell off the rest of my stock! Now, I can't seem to get enough of it -- I'm even looking to buy more cameras to use it with!!! Let me show you what I've learned about it by sharing with you my pictures...
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A breathtaking waterfall surrounds by green nature.
