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I am by no means an expert on film stocks, but here is my opinion of Fuji's Velvia 50 ISO slide film (cross-processed).
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The northwest corner of Europe, Cape Wrath in Scotland. In medieval times, this was the untamed and inhospitable boundary of man's knowledge of Earth. The Edge of The World. Today, it is one of the most beautiful places on the planet...on a good day.
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My one day analogue adventure through the streets of Montreal. Walking with my trusty LC-A+ taking pictures of things that are seemingly ordinary but behind the lens it is anything but.
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Imagine my surprise after cross processing an expired Fuji Velvia100. Soon after getting my very first Lomo camera, an LC-A+ in December 2011, one of the first rolls that I used was an expired Fuji Velvia 100. Since Lomography is known for cross-processed images, I was eager to see the results.
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They weren’t kidding when they said that the MassKara Festival was world-famous. It cannot substitute for Brazil’s Mardi Gras but it sure can satiate one’s appetite for grand and colorful festivities. As for me, I left Bacolod hungry for more of that fun eye candy!
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Film always has grain. I never worry about grain as E100G is a fine-grained daylight balanced slide film.
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I love being a lab rat. And I love xpro. C-41 DIY turned me off until now because of the reports that temperature is crucial and temperature management is somewhat problematic when lacking a processor.
Well, it turns out that's all irrelevant. Read on to see how you can develop C-41 similar to b&w at home at room temperature without fuss! Find new XPRO FREEDOM!
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After I started to develop black and white film, I really wanted to know if it was possible to do the same with color negatives, but the guys at the lab told me: “color film processing is different…you need to get the right temperatures, find the right chemistry, and the chemistry will expire fast, the lab is cheaper and reliable, you'll waste your money and time...”
But I was decided!
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Wanna take a trip? Check this out this sprocket-ed, extremely expired and cross-processed Ektachrome E200.! Low grain, saturated yellows greens and blues.
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If you are tired of sending your 35mm E6 film off to be cross processed by some expensive lab, here is a (nearly) free way off getting your local developer to do it for you!
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Wow! A new slide from Lomography! This film deserves a try - and another, and another one... !