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A quick guide to making gels for a Ringflash and for Fritz the Blitz too. It's as easy as 1, 2, 3!
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Already well schooled in the ways of the Fisheye, I took the opportunity to test drive the 20mm Fisheye Lens hooked up to a Diana+ with Ringflash and shoot a roll of CN400 to see how it compared to my regular travelling companion, the Fisheye One.
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I bought the Fritz the Blitz few months ago, when I needed a better flash than the Ringflash. The Ringflash is amazing, but it has a little problem with the LC-A and the LC-A+: you can’t see through the viewfinder when the flash is mounted on the camera. So you won’t be able to understand exactly what you are shooting (or not shooting).
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Fuji Superia 200 ISO 35mm was one of my first films that I used with my Diana F+. Until now, I have used only one roll as after I bought it, as there weren’t any left at the local photo labs. However, they recently updated their stocks and I’m very anxious to give this film another try.
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As you are getting closer to your object your Ringflash will unfold all his power! You will surely get some awesome shots. Want to try double exposure with different colors? Ringflash will be also a great partner to your beloved Lomo Camera! In addition your photos will obtain a vintage look.
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I recently bought a Lomography Ringflash with my piggies and though I have only processed one roll so far - it has become my top camera accessory.
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This was my first experience with color reversal film. I had no idea what to expect. My choice was a 35mm roll of Fujichrome Astia 100 ISO which I loaded in my Diana F+ camera. And a great choice it was, as I was totally impressed with the results I obtained by cross processing this one of a kind film.
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The Lomography Ringflash is not only about its great looks; sure, it’s a cool looking Lomographic gadget, but the vibrant colors and clarity that it gives to each and every photo make it one of the best flash out there to master your colorsplashing technique.
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This film expired in 1989, 22 years ago and it is not really suitable for processing in C-41. Not really but…I loaded one of the rolls I have in my Holga, put a macro-lens (60mm) on it and attached the ringflash.
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Experiment and play with Lomography’s wide verity of ways to add a little colour to these drab winter days. From colour gels to the Lomography Ringflash, Colorsplash Chakra Edition and Colorsplash camera, there will be no shortage of stories to share at show and tell, with great photos to boot.
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On February 8th two Lomographers equipped themselves with assorted Lomography cameras and headed out to shoot “Aboriginal” - Dannijo’s Fall 2011 collection for NYC Fashion Week.
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Lighting is one of the trickiest aspects of macro photography. Using the Lomography Ringflash the way it was intended can improve your macro shots.
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I test and compare three popular flashes with the internal flash on the Lomography Fishey No. 2 camera. I look at one subject at various distances.
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After buying my close-up lens for my LC-A+, i was a bit disappointed because it would not fit in my Ringflash. I found this odd seeing as the phrase "Get as close as possible" is written directly on the Ringflash. I figured that it would be cool to "get as close as possible" and still have clear focused photos. So I did a bit of remodeling.
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Fixing a surprising design flaw of the 55mm auxiliary macro lens is easy.
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Kodacolor 100 is the cheapest film that I found on the shopping, I decided to use it to test my brand new Lomo Ringflash.
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How to use your Ringflash the other way around of its circular brightness!
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We can use the Ringflash with the Diana Mini with a simple trick!
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If you are familiar with a regular ring flash, it is described as “a circular professional flash accessory”. It is a serious photographers flash and an indispensable part of studio lighting.
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Tea & crumpets, bacon & eggs, and wine & cheese are but a few things that are a perfect match. With the LOMO LC-A, there are some that fit the bill, though! Here's the results of our Match rumble!
