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Fuji Neopan 1600 is a fast black and white film, great for low light use, although fantastic when there is light around. It provides great contrast, detail and sharpness, and is definitely a film to look out for.
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Back in May 2011 I reviewed Kodak T-Max 400 and praised its qualities with barely a bad word to say. I thought it would be interesting now to do a retrospective review and compare it to some other black and white film I've since had the chance to use.
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Coming from a non-art background can be tough on a amateur photographer, trying to break into the photography scene. So, I thought I should prepare a portfolio to show what I have in mind, not only to show clients but also to see for myself where I'm headed towards. With some inspiration, I started work on my first series.
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The Fuji Neopan 100, forever used by professional photographers, stays true to the commitment of providing awesome black and white photos. Know more about this film after the break.
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There they are again: "Portugal. The Man" from Alaska. They hit Amsterdam on November 24th and dropped by the Lomography Gallery Store. The also rocked the evening in Bitterzoet. The Lomo LC-Wide is loaded with Fuji Neopan 1600, so here we go!
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When taking analogue photos I try to keep any editing or digital manipulation to a minimum. Apart from cropping the borders of square Diana shots and scanning the images digitally they remain as much as possible true to the Lomography principles. Recently though my analogue and digital worlds collided with pleasantly surprising results.
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Going real wide is real fun!
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When you're losing your light, but you still want to keep shooting without a flash or a tripod, you have to use fast film. Fuji Neopan 1600 is relatively easy to find and relatively cheap, but it still has the latitude to handle being pushed into "superfast" territory with pleasant results.
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Fuji Neopan 1600 (35mm)
Shutter speed 1/125
Aperture 4
Flash: No
Location: Concert
Event: GWAR
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Fuji Neopan (35mm, 1600 iso) User-Review
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The beast for total darkness! When it is so dark, that you would not even know what film to take there is only one option left: the Neopan 1600!
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My most beloved films when I go to concerts are both from Fuji - the Neopan 1600 ISO black and white and Superia 1600 ISO negative film. Both guarantee I don't need a flash and can work with the "natural" light situation.
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A few weeks ago I went to see a competition of short track ice skating. Short track is a kind of speed skating which is ran on a standard ice rink (hockey rink size) instead of a bigger rink as used in long track speed skating...
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Neopan SS expired in 1998: I got a few rolls and tried it using with my LC-A camera. From what I've heard, this is considered as the "school film" in Japan. Even the clumsiest of students could produce an image with it.
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Do anyone already tried a roll Neopan SS 100 ASA film? It's an old, very good and fine grain B&W film!
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Fuji Acros is a black and white film that uses traditional monochrome developing.
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Capturing the Drama: Sharp, nice tones and very affordable!
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Fast and Loose Fuji! Regarded as the photojournalist's choice where high-speed shooting (and developing) was a priority in the days before digital, Fuji Neopan 1600 is still the film lover's preference when capturing street and portrait photos under pretty much any lighting conditions.
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Now and then, I find it vital to get back to basics with monochromatic excursions...
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This super-high speed film allows for hand-held shooting in low light without a flash. It also features a fat, crunchy film grain for that authentic lo-fi "noir" look. Its sheer magic inside your LC-A+ and will deliver beautifully gritty shots of angels with dirty faces.