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It's the photographic accidents that sometimes bring out some new twists and thoughts about photography. Things you never really thought about in the first place. Just imagine the lens of your panoramic camera gets loose and creates some very interesting new results? How about that?
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I always thought being vertically challenged was a disadvantage in life, until I learned to put my short limbs to good use while learning to focus my LC-A!
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Seeing is believing! I love taking out my Diana duo, the F+ and the Mini, but I was having trouble seeing my focus arrow in the dark. Time after time, the sun would go down and the night's darkness was upon me. I couldn't focus, I had to fix this!
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Clean your beautiful Lubitel and it'll be like new with this simple trick. Important: This tipster is only for adventurers.
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Since I got the LC-Wide Instant Kit, I have been able to get a lot closer to the subject of my photographs than ever before. See below to find out more.
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The LC-W has a super wide-angle lens, though the viewfinder isn't as wide. Here, I bring you a tip to make sure your close-up photos are taken from a close enough distance.
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Attention all photography fanatics: Here’s your chance to take our medium format dream machine out for a test run! We’re taking our beloved Diana F+ clones for a stroll to capture the essence of the city through a plastic lens, just in time for the Diana World Tour. Details after the jump!
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Did you ever want to take a photo of a subject that is closer than 1m from the lens using the Smena 8M? Or did you want to make a self-portrait with your Smena 8M? I think I've got the solution for you!
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In Volume 3 of What It Takes, I dive into the world of respooling film to bring back an old bakelite 620 box camera that wants you to think it's a TLR. Spoiler alert: it's not!
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I spent a whole year taking photos of my baby and one thing that quickly became apparent was the difference between eyes being in focus and eyes that weren't and the effect on the photo. Although we're almost taught to break the rules I still believe the eyes are just as important in Lomography.
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My Pentax K1000 is probably one of my favourite cameras to use. I find it a good, sturdy SLR. What is even better about this bad boy however is that is was totally free and second hand when I got it!
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In the first installment of my regular series What it Takes, I transform a dirty but unusual old half-frame camera from a grimy mess into a fantastic photographic workhorse using nothing but some elbow grease and a spot of glue. Read about the transformation after the jump.
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This simple modification will remove the stop peg on your Holga lens allowing you to use close focus (turn the focus ring further than the one person photo), create a pinholga without breaking your camera or generally do anything you want a permanently removable lens for.
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Are you thinking about buying a Holga? What about a TLR camera? You might want to read about my first experience of using either and both, through the Holga TLR camera!
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Here is a tipster that will show you how you can get the focus right every time. All you have to do is measure the distance between your camera and the subject that you are shooting.
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We could qualify in the initiative of Litherland, a photographer who intends to send kits with analog cameras for people to make a single photo and yield the case to someone else to do the same. Want to know more about this initiative?
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Anyone who has spent enough time in the Lomo Society will have a faint idea of some popular tricks people like to do which give you great results! So this Tipster is for all the Lomo-Beginners out there! (Not saying that I am in any way an expert on these! I just happened to see other people doing them and felt like spreading the idea for the newbies!)
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I got lots of unwanted blurry pictures with my LOMO LC-A+ so I tried to fix it by my own and I want to share my results.
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After my friend gave me a Fisheye camera, I began to use it to capture my daily life. Now with the new LC-A+, life will become even more fantastic.
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When we get comfortable with modern digital cameras or with the Diana F+ 120 film format and then start using the 35mm back for the Diana F+, most of the times we have a hard time getting the framing right and knowing what will come out on the negative/slide.