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I bought this film from Lomography as part of a Snatch! offer. It was cheap, expired and I was looking for a good color negative. How could I go wrong? That's everything a good Lomographer could want in a film. I recieved the film and eagerly tossed it into my Canon AE-1 and shot the town. When it was developed, I was pleasantly surprised by the results.
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Everybody agrees that Lomo LC-A is the Guru of lomography. Nobody at this site do not know what the secret letters LC-A mean. For me it is Lovely Creative Adventure. You are not merely shooting with this camera, you are having adventure. Each new roll of film tells a new story of your life.
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„What the f...?“ is the most common reaction of people I know. People I don`t know start to lapse in an everlasting gaze when they see this kind of monster. Sometimes I was asked if I am some kind of topographer and when you tell people that this is „just“ a camera follows the everlasting gaze again.
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Steady, all-around, pleasing grains and vibrant black and white film! Here's one of my favorite black and white film aside from the Ilford family!
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I’ve gotten a lot of experience with the Fisheye 2 and the Actionsampler, but I’ve been in want of something more, let’s say, traditional. Vignettes in the corners! Saturated colors! One lens producing a good-old rectangular photo! But funds are short and something like the LCA has to wait for Christmas, so what do I do to quench my thirst in the meantime? I’d heard about this “Vivi” and seen sample photos that, whether due to my inexperience with the LCA or the expertise of the photographers posting them, looked very reminiscent of that famous Minitar lens. Mix in some Diana softness and vignettes, add a splash of Fisheye-suggestive wide angles, and you’ve got some pretty impressive photos.
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Great saturation but not as sensitive as you would think in low light conditions i would've thought that somehow needs the help of flash.
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The Fuji Cheki 50 is definitely the best party camera! This camera has reinvented instant photography with its wallet-sized shots, easy point-n-shoot functions and its sleek, silver looks; it’s surely going to make the top of your list too.
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Fuji Astia is Love! Still can't get the hang why maybe your shots from a Fuji film have not been turning out red. Well, you better try without hesitation the Fuji Astia 100! It's a reddish, full frame shot one after another!
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One of the most rare and easily the most handsome Smena of all time. Its 3-element glass Triplet lens yields eye-popping color saturation and contrast. Manual aperture, shutter, and focus settings. Sturdy all-metal construction feels solid and smells amazing! A flash hotshoe and weather-symbol-guided exposure wrap up the package. Made at Lomo PLC in the former USSR
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Advance film. Cock the shutter. Click! The sound of the ever famous Smena 8M which comes all the way from the 1970's! A low-tech toy camera is a fully manual camera and is a STARTER KIT for amateur photographers out there! With it's 40mm f/4 T-43 triplet lens, it gives your images a full blow of crisp and saturated colors!
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This film gave my photographs a really awesome look. The blues were amazing, and I also got the golden yellows that I had seen in previous pictures. I shot this film during the Fall season and I think that is the best time because of all the Fall colors, and those crisp blue skies you get on a cold Fall day...
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The Nikonos V is an amphibious non-reflex 35mm camera. I’m proudly presenting here a review of a super-amazing camera: The Nikonos V. It’s ‘V’ (five) because it’s the fifth of its series (btw you should check the four previous versions, they’re very cute…).
Nikonos must be a play on words between Mykonos (the Greek island) and Nikon… But I’m not so sure about that… It’s the first camera I ever bought; I was 16, and looking for a good underwater camera. Yes, I started photography by underwater photography (check the lomotip: “underwater Holga”)…
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Capturing the Drama: Sharp, nice tones and very affordable!
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High Contrast: FP4 is a really nice, fine grain black and white film. Really good high contrast film!
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Yashica 35-ME was manufactured in 1973 by Yashica Co Ltd in Tokyo, Japan. This camera is a 35mm rangefinder, very solid and compact (24x36mm). Very easy to use, it has a distance indicator on the lower part of the viewfinder and a built in exposure meter which runs on one 1.3 V mercury battery and also appears on the right side of the viewfinder. The lens is a Yashinon f/2.8 38mm, the shutter is programmed set with speed range from 1/30 to 1/650 sec. The camera has an ISO/ASA selector, tripod thread, release cable thread, self timer and a flash hotshoe.
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This is a half-frame camera, 28mm (f2.8-16.0) focusing lens. Close focusing to 3 feet. PC contact, cable release connection and tripod socket. Exposure is strictly manual with no built-in meter or exposure guide. The shutter release button is on the front of the camera. It had a nice little film speed reminder on the bottom of the camera, but some people are confused by this and think that the camera has some sort of built-in meter! Despite its proto-typical flaws, it is a well-made camera.
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Recently we had the very first "Wide Pan Pro II 140":http://shop.lomography.com/widepan/ returned to our office, because there was a slight problem with the 2-second setting. The good news is that everything else on the camera worked perfectly. So before sending this camera back to the lomo-doctor for a check-up, I decided to take it out for a test-drive and see what all the fuss is about.
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The LC-A+ RL camera is a small picture view-finder camera with an automatic exposure programme. For the operation of this programme the camera requires three button-cells (1,5V) and it is also featured with an electro mechanic shutter and an electronic exposure meter. The difference between the LC-A+ and the LC-A+ RL is that the LC-A+ RL has built in the original lens made in Russia and it is more expensive, in contrast does the LC-A+ have a lens produced in China.
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Combining the best features of the original Russian Lomo LC-A and new features to accommodate accessories and multiple-exposure options, the LC-A+ offers unlimited creative possibilities.
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For those of us who love vibrant colors and lots of contrast, but have a little trouble cross processing film (because the lab won't do it!), this is the perfect film.