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  • Supersampler

    Supersampler
    Lomo Supersamper is a 35mm multilens camera, it is the queen of multilenses; don’t let yourself be fooled by its simple design, plastic body and its small lens, this camera is really something, it can take four panorama sequential shots in one 35mm film frame.
  • Kodak EIR Infrared (35mm, 100 iso) user-review

    Kodak EIR Infrared (35mm, 100 iso) user-review
    It's out of this world! Do you like colours? Do you like infrared? Well, get ready for Velvia on LSD: Kodak EIR will capture the infrared and give you the craziest of colours.
  • Olympus XA2

    Olympus XA2
    Compact, easy-to-use, carry-it-anywhere and pocket-size. These are the best four words I can manage to explain about this handy little camera, the Olympus XA2. This 80's baby is a sure win if you're out to take snapshots everywhere (just don't forget to load some film)!
  • Fed 1: Take Pictures With "Old" Atmosphere

    Fed 1: Take Pictures With
    Pros: it is sexy! Cons: it may scratch your glasses... :-( The first time a FED-1 is in your hands you only can say: “Wow!”. It’s heavy, is cool, is nice, is perfect…
  • Kodak Pro Image (35mm, 100 iso) user-review

    Kodak Pro Image (35mm, 100 iso) user-review
    LC-A`s best friend: Everybody loves xpro and use it like a lomographic language, but nothing compares to the beauty and versatility of the Kodak Proimage 100. Fine grain combined with beautiful colors and honest price.
  • Fuji Provia (35mm, 400 iso) user-review

    Fuji Provia (35mm, 400 iso) user-review
    X-pro Perfection: Fuji Provia is a beautiful film to shoot cross-processed photos with. Capable of a wide range of blues and greens, depending on what lighting you are shooting in, you will easily fulfill your satisfaction for impressive color shifts and intense contrasts when using this film.
  • LC-A: Refurbishing the Light

    LC-A: Refurbishing the Light
    Henry Miller once said, "One's destination is never a place but a new way of seeing things." I muse at what wonders Mr. Miller could have made with a refurbished LC-A, the lightweight yet sturdy, functionally versatile yet magically spontaneous little black Russian that continues to inspire a global community of analog souls.
  • SPLIT-CAM

    SPLIT-CAM
    First I did not know what to do with this yellow-black plastic cam, which I’ve got as a promotional gift when I subcribed to a photo-magazine.
  • Lomo LC-A Refurb

    Lomo LC-A Refurb
    The Lomo LCA is the camera that started the Lomography movement in 1995, based upon Cocina CX-1, it was made in Saint-Petersburg, in 1982 by LOMO factories (Leningradskoye Optiko Mechanichesckoye) but the production stopped in 2005, the “replacement” arrived in 2006, the LCA+.
  • Zero Image Pinhole Camera

    Zero Image Pinhole Camera
    This camera is the one I like the most and use the most, (note my nickname: cameraO(bscura), because it brings you back to the roots of photography, and it is always a surprise, whats coming out when you have developed the film.
  • Kodak Kodachrome SW (35mm, 100 iso) user-review

    Kodak Kodachrome SW (35mm, 100 iso) user-review
    Upon seeing the label "Kodakchrome SW" I immediately got excited! I thought, "A black and white slidefilm?" (SW = schwarz weiß which means black and white). And so I asked the owner of the photostore about it and he answered “no, no, It means Satured Warm."
  • Canon AE-1: The Workhorse

    Canon AE-1: The Workhorse
    Over this past summer, I took a Black and White photo class at my college. A week before the class I was panicking because I didn't have a 35mm SLR to use in the class. I work at Starbucks and one of my regular customers, Mike, happened to come in one day and I told him my problem. "I have this old Canon I don't use any more and I've been wanting to sell it. How about I let you borrow it and if you like it, you can buy it?" That sounded awesome to me. So long story short, Mike ended up just giving me the camera and 3 lenses for nothing(50mm f/1.8, 80-200mm Zoom f/4.5, and a 28mm f/2.8). This camera soon became my workhorse, and it never leaves my bag.
  • Zenit EM

    Zenit EM
    Zenit - Solid as brick, precision as AK-47. Every lomographer should have on of those classic machines. I own Zenit EM. My brother was using it when he was a kid and now, after 20 years of waiting, my time has come. I could say that was love at first sight.
  • B.W. 100 (35mm, 100 iso) user-review

    B.W. 100 (35mm, 100 iso) user-review
    Subtle and Rough: B.W., is that slide, negative, color, b&w? Yes its obviously black and white, and yes the brand is as easy to pronounce as utopia.
  • Yashica Samurai X3.0 – Half Format SLR

    Yashica Samurai X3.0 – Half Format SLR
    I don`t know where I first heard of this camera, but it must be something like love at first sight. But it could have also been something like "This thing is so ugly, I got to have it!" Most people will think you have a film camera because of its futuristic look. The film will be transported vertical instead of horizontal, which gives you the normal landscape format. Other half frame cameras must be turned to upright format to get the result of an landscape format. Confused?
  • LC-A Refurbished: Can't Get My Hands Off You!

    LC-A Refurbished: Can't Get My Hands Off You!
    LCA is the camera i bring out everyday. The day without LCA in my bag i will feel weird, it is already part of my life. When i first join lomography, i bought a fisheye and a colorsplash. But as time goes by, i realized more and more people are using lomo LCA, and I asked, "What so great about this camera?", and i found out the reason very soon as i browse through other lomographer's lomohome. I found that the picture that taken by LCA are saturated in color and it is very contrast, and that is what I'm looking for.
  • Holga 135

    Holga 135
    The Holga 135 is the little brother (or sister) of the great classic and legendary Holga. The Holga 135 is a small plastic camera for 35mm films. This is the first big difference to the classic Holga. Another difference is, that the Holga 135mm is, of course, a bit smaller. But one thing is still the same, the plastic lens. You get really soft and dreamy pictures with this camera on a 35mm film, so you don't have to modify your old Holga.
  • Fuji Velvia (120, 50 iso) user-review

    Fuji Velvia (120, 50 iso) user-review
    Viva la Velvia! A little blue here, a little green or yellow over there. We all have our own "color stories" but let me share to you this cute film: the Fuji Velvia (ASA 50)!!!
  • Kodak Elitechrome EBX (35mm, 100 iso) user-review

    Kodak Elitechrome EBX (35mm, 100 iso) user-review
    X-Pro X-Pro X-Pro! When this film is developed normally it is punchy, when its cross processed it is mind blowing!
  • Be Lomo - Chaika II

    Be Lomo - Chaika II
    Chaika II was produced by the Belomo factory in Belarus (then in the USSR) between 1967 and 1972. Chaika means “seagull”. It has the same camera body as the original, but with several minor changes.