A bargain-bin at a Blue Mountains junk shop leads to starred-out lights, long exposures, and shallow depth-of-field.
Hello LomoFriends! Say hello to Gladys.
When I chose the name, I was thinking of a tough-as-nails nun, the kind that smoked behind the rectory, fixed the parish bus & took absolutely no backtalk. (and, without realising it, stuck with my theme of choosing women’s names starting with G: Glory, Gretl, Gladys…)
In October last year, my parents-in-law, my wife & I were in Blackheath, New South Wales, in the depths of the Australian Blue Mountains, in an antique shop/junk shop. I busied myself taking a whole bunch of pictures.:
My wife was looking for vases, and I stumbled onto a treasure trove of old cameras, a few in a glass case (with exhorbitant prices) and many, many others jumbled together every which way:
After an incautious touch caused the entire pile to slide to the floor, I set about sorting through them. I quickly found a Pentax P30, and a beat-up-looking SLR, an Asahi Pentax S1A with a Super-Takumar 55mm/1.2 lens:
Both had “$68 w/o lens” written on the tag. I took them to the counter, and was greeted with a stern “You know we make no promises that the cameras are working, and we don’t do refunds!”
Okey-doke, thought I, then I won’t tell you the lenses weren’t meant to be included.
The Pentax P30 came with me, and the old SLR was squirreled away by my parents-in-law until Christmas. As it’s the New Year, I’ve had a go, and wow! Very impressed.
The Asahi Pentax S1A was Asahi Pentax’s attempt to make a consumer-level version of their S, S2, S1 & S3 professional SLR range in 1963. Their rather counter-productive way of accomplishing this was to remove the mark for the 1/1000 shutter speed (it’s still there, it’s just not marked, you just dial one past 1/500).
Also, no light meter (once upon a time you could buy a clip-on, but no more). For this roll, I downloaded a light meter app on my iPhone, and took a general reading before I started shooting at each place.
The lens is very sharp, with quite a shallow depth of field, and is very precise in close-up. It also has an Auto setting, which allows you to view with full-aperture, or you can set it to manual and watch your view darken or lighten as you change settings. The best thing about the lens, though, is the triangular etching on the glass:
This leads to direct lights becoming spectacular starbursts in the photos. Wow!
Where I did run into some trouble was when I turned the shutter speed dial below 1/30, the prism seemed to stick, blocking the viewfinder completely. I gave the camera a shake, which seemed to knock it back. I didn’t know at the time, but this was due to all the shutter speeds below 30 being exponentially slower than they should be (30 was 15, 15 was 4, 8 was 2, and 1 was a whopping 9 seconds. This lead to some wacky long exposures and streaking lights:
So in conclusion, Gladys, and her sort are workhorses, still in good order, despite their years. If you can spot one, pick it up.