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A mysterious and quite rare Kodak color negative - it's known for some of the most pleasing green and blue tones that a consumer film can deliver. The power of ProImage compels you!
A mysterious and quite rare Kodak color negative – it’s known for some of the most pleasing green and blue tones that a consumer film can deliver. The power of ProImage compels you!
Agfa Optima (120, 100 iso) staff-review A fine-grained smooth operator that yields bold but still quite natural colors – and lovely shadow tones. This is a solid choice for when you want the subject – not the film – to do the talking.
Kodak Portra 400vc (120, 400 iso) A professional and usually very expensive film. On sunny days, the colors are mind-blowingly vivid - and almost look cross-processed. Its results are totally unique and unlike any other film.
Fuji Astia (120, 100 iso) For the "natural ones" out there, Fuji Astia delivers muted, smooth colors with low contrast, beautiful skin tones, and razor-point resolution. Quite a nice choice for when you're looking to whisper with your images - rather than scream your freaking head off with saturation. Turns the usual fuji blue-green-red cream when you cross-process!
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A 36-exposure cassette of Kodak Pro Image 100 was included with my purchase of an LC-A+ from LSI. I'd never heard of this film before, but was especially pleased with its performance. I shot this view out the window of Amtrak's California Zephyr train -- somewhere in eastern Iowa or western Illinois.
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2 comments
vicuna
Cool film, I have some great shots with this Pro image 100! :))
lthanlon