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The Lomo philosophy can sometimes be set into motion! With movie film formats such as Super 8mm and 16mm, Lomography can take on an entirely different nature, introducing time as another variable to be played with. (And the equipment just looks cool!) Allow me to explain and show you...

Lights! Camera! Action!

If you thought the Lomo philosophy strictly adheres to still photography, I’m here to tell you otherwise. The principles of Lomography have served me as useful tools in my analogue lifestyle, at 18 and 24 frames per second. I’m talking about movie film, more specifically, Super 8mm and 16mm. As an experimental film student of CU in Boulder, Colorado, I’ve been privileged with the experience of shooting these film formats, as well as editing them by hand and projecting their incredible results.

Crack from John Regalado on Vimeo.

CU Film School teaches a unique and rare approach to artistic filmmaking in a technologically advanced world. Students must begin their studies of film production with simplistic Super 8mm cameras, and gradually work their way towards higher end formats such as 16mm and HD digital. In the traditions of the great experimental filmmaker, Stan Brakhage, students (including myself) are encouraged to play with film and explore aesthetic values such as color, focus, form, and composition. Curiosity and experimentation are highly encouraged, and often bear the most memorable results. Emulsion scratching, hand processing, and superimposition are some examples. The beauty of it, much like the beauty of Lomography, is the absence of rules.

8mm Self Portrait from John Regalado on Vimeo.

After two years of practice, I have discovered techniques and methods in my filmmaking that are pretty cool (if I do say so myself). Old movie cameras kick ass because they look pricelessly vintage and can often be integrated with modern day Lomo tools and techniques. For example, the cable release that I frequently use for still photos also attaches to my Canon Super 8, allowing me to single-frame shoot, enabling animation and experimental visual effects. When working with 16mm, a cable release also allows one to do time exposures for each individual frame. This technique allowed me to use light painting for my title sequences in recent films, as well as time-lapse sequences in low light scenarios.

LUX from John Regalado on Vimeo.

The ultimate advantage to shooting movie analogue is the projected image. Courtesy of eBay, I’ve been able to track down some operating projectors that allow me to watch my own films. There is a common misconception that digital formats offer the finest in resolution and clarity, however, I disagree. When a film is well shot, professionally processed, and projected onto a screen, the results are breathtaking, and the equivalent of many digital high resolution formats. In my opinion, it is the most effective form of time travel, taking me back to the moments of shooting. 16mm offers the finest in resolution that I’ve been able to play with, but there are always higher formats such as 35mm, which is professional gauge. There are complications that arise with projectors however, including burnt out bulbs, and loud running motors. In the end though, these difficulties are just part of the entire experience. As far as digital exhibition goes, digital transferring is an option. CU’s film department offers digital transfers of Super 8 and 16mm for its students so that the work can be shown in more modern day manners, however, the quality of these digital transfers is a few steps down from the actual projected image.

Unfortunately, the days of analogue filmmaking may very well be close to end. In just the past two years, I’ve noticed availability of film decreasing and prices rising. This is nothing too shocking for Lomographers, as we all understand the challenge of analogue in the digital world. My work with 16mm was by far the most rewarding, however, it was the most financially draining. A lab should usually perform film processing, and this can be expensive. Super 8 is the most financially practical of the movie films. Super 8 cameras can be found on sites such as Craigslist and eBay, and there are still a few emulsions (B&W and Color) in circulation. Processing for Super 8 can be done independently, but this also gets expensive. If you are a Lomographer who is ready to take the Lomo aesthetic into motion, I strongly encourage you to explore Super 8 options. Who knows? Maybe we could begin our own Super 8 revival! If you seriously consider Super 8, feel free to drop by my home for tips and suggestions.

KINO X PRESS from John Regalado on Vimeo.

In a world where movies sometimes get churned out like factory products, its important to understand the moving image and its roots. Super 8 and 16mm have provided that understanding for myself, and have given me an appreciation for filmmaking beyond the conventional. In any case, whether it be still or moving analogue photography, keep in mind the words of the late Brakhage: “Art is a sense of magic”

written by j_robert

19 comments

  1. myloveletter

    myloveletter

    great article!

    about 4 years ago · report as spam
  2. mikahsupageek

    mikahsupageek

    extraordinary article, videos and analogue lifestyle =) i've got a special crush for your 8mm self portrait video, and i have to say, as I sound engineer and composer, i would have loved to have some music to go with crack and the 8mm selfportrait. I once worked on a short shot in super16mm, and the results were astonishing just only with the film grain :)
    keep it up, analogue video FTW !

    about 4 years ago · report as spam
  3. kingnate

    kingnate

    Great article! Is that a bell & Howell projector in photo 9? :)

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  4. cruzron

    cruzron

    @mikahsupageek please do tell us about your experience with it!

    about 4 years ago · report as spam
  5. fuzztone04

    fuzztone04

    Awesome films! I can see a little bit of a Brakhage influence on them. I have a Rollei Super 8 camera that I need to start using more. Great work!

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  6. satomi

    satomi

    Oh, I just love the old movie look with the film. I used to shoot 16mm movie camera, which I loved..only if the film/developing wasnt so expensive!!! I would love to shoot 16mm again...

    about 4 years ago · report as spam
  7. bravopires

    bravopires

    great article!

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  8. ramireo

    ramireo

    Great!

    I was looking for a Super 8 recorder time ago, but here it is so hard to find film and to get it developed, that I finally gave up =/

    about 4 years ago · report as spam
  9. ramireo

    ramireo

    Btw, I LOOVEE what you get from Super 8, it has it's own magic ♥

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  10. mikahsupageek

    mikahsupageek

    @cruzron well, I'm a sound engineer, so worked on the sound of the short movie, but that didn't stop me from bugging the camera operators with questions on how they loaded films, how much was the cost etc... The film is still undergoing short movie festivals entries, so it isn't available yet to see online. I'll ask the director if yes or no, she's planning on putting it online anytime soon. If you have any other questions, feel free to ask. =)

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  11. eskimofriend

    eskimofriend

    OMG I love this!! I wish Lomography would pick up super 8 and start selling cameras and film again... I'd be completely broke in a week but it would be way worth it :)

    you rock mr jrobert!!!!

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  12. kylewis

    kylewis

    Great article so good to see a Canon again, I used to use one way back, I still have all my kit and have been looking into cheaper development, possibly using Caffenol as well! It would makre it more affordable.
    Really enjoyed the films. I shall visit your home!

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  13. lomodirk

    lomodirk

    Great article, cool films. Shot an almost 30years expired Super8 film, see the results here: http://www.youtube.c(…)WzpuTCtDDLk ;)

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  14. j_robert

    j_robert

    Thanks everyone for reading! If Lomo picked up Super 8, I too would end up completely broke! And yes kingnate, that is a Bell and Howell!

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  15. plesaleza

    plesaleza

    That Would be sooo amazing if they did but they'd HAVE to make developing and stuff more accessable and maybe affordable ish overtime.

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  16. panelomo

    panelomo

    go analog!

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  17. aswaray

    aswaray

    this was a very nice article. i toohave a canon super 8. the cable release seems like a very good technique. i am going to try that out, i still have a roll inside. thanks for this article

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  18. copefan

    copefan

    I have sold a few of my super 8 cameras a canon 814 Electronic, Nizo Professional and the Nalcom FTL1000.... But i've kept an old Zenit Quartz Kit a very nice super 8 camera and my Bolex H16 which is fantastic.

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  19. copefan

    copefan

    There was a comeback for super 8 a few years ago and there were also a couple of good magazines and film stocks were being promised all over the place..... then the tide turned! But I have a few rolls of super 8 left in the fridge and i'll use them when the time is right. I'd love to shoot 16mm again as the Bolex is a fine piece of kit but your right...... its just to expensive! But we will see....

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