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Are the ‘rules’ for composing a photograph the same as the ‘rules’ for composing an abstract image at some fundamental level?
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It’s seeing which establishes our place in the surrounding world. If this is true, what happens when we see, feel and capture the world through an ultra-wide-angle lens?
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Diane Arbus * William Eggleston * Mary Ellen Mark * Harry Callahan * Lee Friedlander * Hiroshi Sugimoto * Ralph Eugene Meatyard * Cecil Beaton * Bill Brandt * Robert Adams * Helmut Newton * Richard Avedon * Spongebob Squarepants * Irving Penn * Imogen Cunningham * Robert Mapplethorpe * Walker Evans * You?
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One image captures a moment but two images tell a story. Placing images into a sequence is an essential element of visual thinking.
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Technical innovations give birth to brand new fields of creation. We should not allow ourselves to be guided by the rules and traditions that form the grammar of photography, before a new tool is brought to us.
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"When once you have tasted space, you will forever walk the earth with your eyes turned skyward, for there you have been, and there you will always long to return." (Quote commonly attributed to Italian Renaissance painter and polymath, Leonardo da Vinci, however no source has been verified as of yet)
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Climb a mountain with your eyes closed. The sun comes up when you arrive at the top. Now open your eyes.
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“The closeness of reality and the distance of myth, because if there is no distance you aren’t amazed, and if there is no closeness you aren’t moved.” (British director Peter Brook on what he strives for in theatre)
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Now shoot! Look at your results and you’ll see it immediately: photos of situations where
you didn’t dare to go close are boring.
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There is a grammar of seeing. You as a Lomographer are able to play with this grammar and invent new symbols, rules and relationships. Just as the poet works with words, the Lomographer works with pictures. Both the poet and the Lomographer endlessly search to find new relationships between themselves and the world.
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Finally got your hands on an LC-Wide? Well start shooting and while you're at it, try to get some inspiration from our list of the 50 things that you must wide angle before you die! LOMO On, folks!
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Intense colours, crisp tones and gorgeous vignettes. Complete with a 17mm ultra-wide-angle Minigon 1 lens, innovative MX button, lightning fast zone-focusing and a choice of full-frame, square or half-frame photo formats. The LOMO LC-Wide: the latest innovation in the LOMO legacy.
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Intense colours, crisp tones and gorgeous vignettes. Complete with a 17mm ultra-wide-angle Minigon 1 lens, innovative MX button, lightning fast zone-focusing and a choice of full-frame, square or half-frame photo formats. The LOMO LC-Wide: the latest innovation in the LOMO legacy.
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Intense colours, crisp tones and gorgeous vignettes. Complete with a 17mm ultra-wide-angle Minigon 1 lens, innovative MX button, lightning fast zone-focusing and a choice of full-frame, square or half-frame photo formats. The LOMO LC-Wide: the latest innovation in the LOMO legacy.
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We want to say a huge "THANK YOU" to the "creators" of Rumble in the Pond who made this Lomo book a success!
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Check out these awesome shots taken with the Fisheye!
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Check out what lomographers have to say about lomography and the Fisheye!
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Still can't get enough of the Fisheye? Here are some great reference materials for you to further enrich your Fisheye knowledge.
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Learn more about the history of the fisheye lens after the jump.
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Learn more about the timeline of the goldfish after the jump.