My most beloved films when I go to concerts are both from Fuji - the Neopan 1600 ISO black and white and Superia 1600 ISO negative film. Both guarantee I don't need a flash and can work with the "natural" light situation.
Not needing a flash comes into favor – most people snatch away with their digital cameras mostly have an automatic flash that always fires away. And when they check their LCD screens afterwards, all they see are the back heads of the people standing in front of them, fully bright and in focus!
Above you find some shots that I’ve taken over the my last year’s share of concerts. We thought we could make this interesting and make a small competition out of this. So here goes:
Anybody that can name a band (5 in total) in either of these shots will get 5 piggies. BUT – name only one, even if you know more bands than that! If you name more then you will be disqualified from this competition (we want to give everyone a chance here). Let us know what you think in the comments :)
The New Petzval Art Lens is the perfect portrait lens. But have you ever wondered how it performs in difficult situations with low light and unpredictable movements, such as a concert? Viennese rockstar photographer Matthias Hombauer proves that such a challenge can be surpassed with exceptional results. In Linz, Austria he met the American rock band Portugal. The Man and shot excellent black and white photos! Check out the gallery below and let Matthias teach you how to work with the lens during concerts.
If you'd be shooting in low light, at night, or in any other situation that would require a high speed film for best results, why don't you try the Lomography Color Negative 800 for 35mm cameras? Allow five of our community members to convince you with their respective reviews in this installment of Reviews on Rewind.
110 film photography can be as fun as 35mm and 120 film photography! Need a little more convincing? Take a look at these monochrome shots that play with shadows and light taken with the B&W Orca 110 film!
Did you ever think about the myth that we actually dream in Black & White? No colors, maybe no truth behind it anyways. But we know for a fact that you can create the most dreamy photographs with an analogue camera. And for that you need the right film. Scroll down and find out which B&W film is the film of your dreams!
I'm Nick Page, a graphic designer based in the UK. After 20 years of working in advertising, I returned to film photography five years ago and found that the analogue life was just what I needed to get away from the "pixel perfect" images I deal with every day in my job.
Hi, everyone! I'd like to share with you my 2014 summary on analogue photography. Some things I did were completely new, while some were my good old habits. This year I learned how to develop black and white film, which I consider my greatest milestone. But the most important thing is that in 2014, I remain in love with Lomography! And the rest? Well, let's see...
Coinciding with the relaunch of the Lomography community website is the debut of one of the Magazine's newest series, Meet the Innovators. Here, we'll be talking to some of the game changers in the field of photography to get a closer look on what they do as well as find out their personal insights. For our opening salvo we proudly introduce Cat Ong, Lomography's very own Head of Optic Product Development who counts the research and development of the LC-A family, Russar and Petzval Art Lenses, Diana F+, and Lomo'Instant, among many others, as some of his projects.
The Horizon Kompakt is a miracle in the shape of a 35mm camera. Just watching its multi-coated swing lens as it sweeps 120° degrees is a wonder to behold. With "Day" and "Night" shooting settings and battery free operation, it's also incredibly simple to use. Capture picture-perfect panoramas and get prints approximately the size of two standard frames. With the Kompakt, you'll see the world from a whole new perspective.