My most beloved films when I go to concerts are both from Fuji - the Neopan 1600 ISO black and white and Superia 1600 ISO negative film. Both guarantee I don't need a flash and can work with the "natural" light situation.
Not needing a flash comes into favor – most people snatch away with their digital cameras mostly have an automatic flash that always fires away. And when they check their LCD screens afterwards, all they see are the back heads of the people standing in front of them, fully bright and in focus!
Above you find some shots that I’ve taken over the my last year’s share of concerts. We thought we could make this interesting and make a small competition out of this. So here goes:
Anybody that can name a band (5 in total) in either of these shots will get 5 piggies. BUT – name only one, even if you know more bands than that! If you name more then you will be disqualified from this competition (we want to give everyone a chance here). Let us know what you think in the comments :)
If you'd be shooting in low light, at night, or in any other situation that would require a high speed film for best results, why don't you try the Lomography Color Negative 800 for 35mm cameras? Allow five of our community members to convince you with their respective reviews in this installment of Reviews on Rewind.
Did you ever think about the myth that we actually dream in Black & White? No colors, maybe no truth behind it anyways. But we know for a fact that you can create the most dreamy photographs with an analogue camera. And for that you need the right film. Scroll down and find out which B&W film is the film of your dreams!
You probably don't feel like leaving your comfy sofa to go out and fight the cold and the crowds for a great deal, do you? We don't blame you! Instead, grab a plate of leftover turkey with all the fixin's and check out these gorgeous black and white photos from the classic LC-Wide camera. When you're done, scoot on over to the Online Shop to save a sweet 30% on it and other choice analogue deals!
While many of us can only dream of working with musicians and photographing them, Angela Izzo's job entails exactly that. Apparently, this is a fulfillment of her own dream that she had when she was younger. In this interview, Izzo talks about her beginnings which, of course, included going to as many shows and festivals as she possibly can; some of her most memorable on-the-job-experiences with the likes of The Doors, Lykke Li, Jack White, Edward Sharpe and the Magnetic Zeros, and Chris Robinson Brotherhood; her inspirations and other interests; and her love for film photography and Diana Mini. And to those looking into fulfilling their own dreams of working in the same industry, Izzo also shares helpful advice based on her own experiences.
You want your subject be the center of attention? Petzval lens photos are recognizable for sharpness and crispness in the centre, strong color saturation, wonderful swirly bokeh effect, artful vignettes and narrow depth of field that will make your subjects stand out!
When asked to recall the moment they first became truly interested in photography, most photographers would remember the magical feeling of picking up a hand-me-down or secondhand camera, the thrill of shooting an entire roll through, and the elation upon seeing and holding their first ever set of photographs. Caleb Savage, however, had quite a unique experience. At 10 years old, he had his first taste of working in the darkroom making prints at Boy Scout camp, thereby beginning a more than a decade-long affinity with photography.
You read the right, folks! The 175 Years of Petzval Legacy Competition is officially extended. Discover the additional prizes awaiting our lucky winners and meet the esteemed Petzval photographers that comprise our jury.