Film always has grain. I never worry about grain as E100G is a fine-grained daylight balanced slide film.
I’ve tried this radiant skin tones E100G and I like it very much. What ever the object is, lustrous surfaces, fabric that begs to be touched, with E100G Film, what you see through the lens is what you see on your chromes.
I believe E100G was put on the market as a tentative replacement for Kodachrome, whose difficult, costly and environmentally sketchy processing had caused problems for Kodak.
It has far more natural colors. Not like the Fuji Velvia 50 which is wilder, while for people I found E100G far more pleasant. Velvia has never been for people photos. But then again, as I was saying, film always has a grain. I never worry about grain, as E100G is a fine-grained balanced slide film for daylight.
Choose E100G and develop a look you’ll love!
Kodak Ektachrome E 100G 35mm is one hi-tech transparency player. High-efficiency T-Grain emulsion crystals mean that when blown up you can barely detect any grain. Kodak’s amplifying system controls and enhances colour rendition and its advanced emulsion sensitization ensures perky whites and sharper shots. See the whole range of colour slides in our Shop.
His work has the anachronistic charm of hand-tinted photographs and the trippy flavor of rock. Sometimes too his portraits of Lana Del Rey, Kevin Parker and Jim James cross over to the territory of graphic design and pop art, skewing definitions of what a picture is. Neither are his views on photography straitlaced, as this exciting interview with Lomography proves.
Maxime Fardeau, or Max as he is fondly called, loves film. He has been shooting analogue for about four years and owns a number of 35mm film and instant cameras, such as the Leica M6 and SLR-670 Polaroid. He has taken photos using the Lomo'Instant and the Minitar-1 Art Lens and this time around, he provides a glimpse of the images she produced with the Jupiter 3+ Art Lens.
Not all photographs are meant to be seen in vibrant, saturated colors, and neither are they always suitable for in black and white. Lomography welcomes yet another innovation from KONO! The Reanimated Film. Without diminishing the aesthetic value of images, KONO! Donau 35mm Film casts a distinct blue tone to photos. It is ultra-low ISO film that is best used for long exposure shots. Check out this fine selection of uniquely tinted images.
Sometime ago, I was invited to do a film swap. This means a roll of film is exposed two times by different people. As I had never done this before, I was enthusiastic to explore this new field of Lomography.
A lot of lomographers have experienced using and even writing about the greatness of the Lomography Earl Grey black and white 35mm ISO 100 film. However, no one has written about using an expired Earl Grey film yet. How does it fare when it is used expired? Read on to find out more.
As you know, the Lomo LC-A has been around for 31 years now. The June 2015 contribution callout is a fine occasion to celebrate the LC-A's birthday and my own anniversary – six months with this Minitar-powered little beast.
Herbert Morris has been taking photographs for almost 60 years. From being his family's event photographer, he now acts as one of the community's resident guides who's always willing to give advice—photography related or otherwise—to fellow lomographers. In this interview, Herbert shares tidbits about his life as a war veteran and how being a sneaky photographer preserved the memories of his aunt.
Toby Mason (aka fotobes) is a Brighton-based photographer who embraces the aesthetics of film photography. He mostly shoots with the LC-A+ using a range of slide films, cross processing them to create rich, highly saturated colours. His work has been featured on the BBC website and Hungry Eye Magazine. Join us for the opening night on Thursday, September 17 from 6 p.m.
Some people say instant photos bring about a feeling of nostalgia. Although I often use the Lomo'Instant Camera with different crazy accessories such as the Splitzer and color gels, I have to agree there is something about it — dreamy vignettes maybe? — that always makes me want to go back in time and experience it all over again. In the name of analogue photography and good old memories, we passed by some classic spots in Vienna and took one shot after the other. Take a closer look at our gallery.
Dale McCready is a cinematographer working in the film/ TV industry and has worked on programmes such as Doctor Who and Merlin. He was one of our supporters for the Petzval Kickstarter campaign and recently used the lens to film for a new BBC drama, which is due out in March. Dale kindly shared some of his Petzval photographs with us and talked about his love for this lens. Read on for the full interview.