I thought of cooking film. I put the film in the microwave and.... good pictures came out!
Last night I was hungry but not for food, for pictures!!! I think to cook a good film!
I’ve done so:
1) In a dark room I’ve extract the film from the roll (because the container is maked in metal and is very dangerous in the microwave)
2) Always in the dark I’ve put the film in a black container (I’ve used same the film roll plastic container)
3) I’ve put the roll in the microwave at max power (800 Watt) for 20-30 seconds
4) In the darkroom I’ve put the film in the roll (if this is excessively complex for you, you can load the film in the camera without the roll. You have to put the film in the camera and the head must block to the spool with tape; you have to remember to close each windows of the camera with black tape!!!!!). To make this you must block the film in the internal spool with the tape.
5) you can shoot!!!!!
The photo will be very light and pink if overexposed!! Same with the old pictures. If you use the correct exposure the color will be normal. You can try using a longer time…enjoy your meal!!!!
Unfortunately, it happens sometimes that your resulting pictures are not what you expected - the image doesn't look that good, the colors are bland, and the subject is banal. Indeed, it couldn't be picture of the year! Herein I propose a second chance for your pictures by modifying your 35mm negatives. Just pick up some ideas from here, experiment, and scan your negatives with the Lomography Smartphone Scanner. Anything is possible: burning, scratching, putting on hydrochloric acid, balsamic vinegar, nail polish, bleach, or raspberry juice... use your imagination and write down your new film soup recipe! You can find a sample of the effects in this article.
We first came across Ryu Voelkel while he was shooting for his photography book about the World Cup in Brazil. His use of Aerochrome Film for the project especially caught our attention. Now the Berlin-based sports photographer has finished his book and is ready for the next challenge: testing the Petzval at a football match.
There are quite a few perks that come with working for a film photography company, and the best perk of all is testing out the latest cameras. I can remember buying my LC-A back in 2009 and being really inspired to shoot film again. When the LC-A 120 came along, I couldn't wait to try it out around London. Join me as I test out this super medium format beauty.
Matthieu Soudet is a child of photography. He started shooting in his native Normandy when he was only nine years old. Since then, he has dedicated his life to capturing magical moments and puts his boundless creativity to good use through beautiful pictures and portraits. He tested the New Petzval Art Lens tells us about his experience in this exclusive interview.
C.S Muncy is a New York City-based freelance photojournalist and a fellow LomoAmigo who tested and reviewed the LomoChrome Turquoise film. The rolls of film were put to good use; the resulting shots were simply stunning.
As you may have read in my previous article, I truly fell in love with Lomography when I combined my Fisheye camera with an old Canon AE-1 for magical photographic results. Last summer, I took so many pictures of flowers that it started to become almost boring for me. My waning interest and the coming winter meant that I had to figure out something else to do with my 35mm film.
I was inspired by the work of Lara Kiosses and her photographs of women and flowers. I just thought they were so beautiful! What is the secret? She lovingly superimposes pictures of flowers and women to obtain surprising and dreamy images.
The story between the Spinner 360 and I goes way back to the year 2010, when Lomography decided to send me a beta model of the Spinner 360 to test. It was a complete surprise! I thought, "What the hell is that?" as I first took this camera out of the package. Then, when my little brother grabbed it from me and pulled the cord, it buzzed and turned 360°! We all had the same expression: "Whoa..."