This ISO 400 black-and-white film offers fine yet noticeable grain. It is excellent for pushing, as well as all situations including travel and nature!
Agfaphoto APX 400 is a general-purpose film offering a rather high ISO, which is perfect for pushing to ISO1600 also because it is a black-and-white film!
I brought it on a trip to the Sapa mountainous region in Vietnam, where I shot animals and landscapes.
As you can see, I subjected the photos to dodging and burning, but they retained details very well. This however also depends on how you develop the film — if you do it so you get flatter negatives, you get more latitude to work on and lose less details!
It also followed me on a trip to the zoo:
where I tried to capture photos of monkeys:
but they didn’t like to stay still enough for an ISO400 film (which is why it’s great that you can push it to ISO1600!) so I settled for a stationary animal instead.
Not all photographs are meant to be seen in vibrant, saturated colors, and neither are they always suitable for in black and white. Lomography welcomes yet another innovation from KONO! The Reanimated Film. Without diminishing the aesthetic value of images, KONO! Donau 35mm Film casts a distinct blue tone to photos. It is ultra-low ISO film that is best used for long exposure shots. Check out this fine selection of uniquely tinted images.
Colors may be amped to look unreal, like nothing of this world. Shots may be doubled, cross-processed, post-processed, mixed up into collages. The possibilities are infinite, yet some photographers still prefer black and white. Even in 2016, it is an ode to classic values of precision and balance. Light and shadow must be one pleasing dance. And just like in a well-choreographed piece, forms are obvious or playing coy. It all depends on how you're looking.
Our Lomographers love their Petzval and, as a result, they have taken it to the most amazing places: gardens full of green, immensely busy cities and breathtaking landscapes. Yet, sometimes, all you need is what you have right at home. Keeping family memories with the Petzval Lens never looked this good, and golfpunkgirl does it well.
"At the edge of the Earth" is an ongoing yearlong project by documentary photographer Markus Andersen in which he captures the coastline of Sydney, Australia on black and white film with the Diana and Lomo LC-A cameras. In this interview, the Sydney-based photographer opens up to Lomography about his latest endeavor as well as on shooting on the streets of his city and the importance of photographing in analog.
Graphic designer Johann Bottos caught the community's attention with his striking black and white landscape photographs. Previsualization is central to his photographic style. Before clicking the shutter, he tends to "wait for a particular moment or weather condition" that fits the image he has in mind. In this interview, he shares more about his passion for shooting on film as well as some of his favorite landscape images.
Lomography Singapore plays host to Parallel Planets’ first exhibition, "Façades: Neo-Noir Portraits Exhibition," featuring all-analog photography: a sea of black and white film portraits. This exhibition serves as a platform where both local and international photographers can express themselves by injecting individual perspectives into their craft. It also encourages viewers to look through the lens of the photographers, to see the subjects as who they are – flawed, alive, and breathing – and to also see beyond the façades we all choose to don.
Born and raised in Montreal, Nathalie Daoust is a Canadian photographer who uses her camera to explore hidden realms around escapism and female sexuality. Her projects have taken her to obscure places all across the world, from the US to Brazil, from Japan to China and currently to North Korea.