Confusing the tungsten with a professional's tool, I steered clear for sometime. On a whim, I asked about it and bought it at my local Lomography store and was stunned to discover its beauty.
It was long my understanding that shooting tungsten film was only meant to be used with special light under the direct supervision of a professional.
One day, it caught my eye at my local Lomography store and I inquired, only to be told, “oh no, anyone can take it during the day.”
I bought my first roll and was blown away. I have always had the deepest love and admiration for Velvia, and now, I feel that I bought something with more subtle color shifts, and one that when cross-processed does not bore me after a while, like Velvia’s rich pinks and reds often does. T64 reminds me more of an old redscale and I have set my ISO wrong. Often, it has even gotten confused for redscale, and yet I care for this much more, with it’s soft tones and and creamy yellows, and light blue.
Recently, I loaded my Smena and headed out to a little summer festival in Los Angeles, known as Hard Fest, and I couldn’t be more pleased with the results.
It's late October in Copenhagen and summer was well and truly behind us. With the nights drawing in, the chances of going out with one of my cameras was slim. All was not lost at this time of year, however, as it allowed me time to focus on my own personal music projects—I am a professional composer/musician and audio engineer at my own studio by day.
In April of this year I had the chance to test the Petzval Lens and to write a review on it for the German photography forum Kwerfeldein. The lens excited me from the very beginning, at the time it was introduced on Kickstarter. I was afraid that once I had tested the lens, I would want to have one of my own! Well, that’s what happened; a year later, I finally bought my very own Petzval lens.
I've always wanted to have an instant camera, but what put me off were the expensive price of the film and the transience of the photos. But then I wasn't able to fight it any longer and bought myself an Instax Wide 210 set. Now, here is a review of the Fuji Instax Wide film.
Some time ago, my parents-in-law gave me an old Polaroid camera that they used during my wife's childhood. After some investigation, I found out that Polaroid had stopped making instant film. But the factory in Enschedé, the Netherlands had been taken over by The Impossible Project, so I bought a package of fresh film and gave it a try!
Exactly seven years ago, I bought this camera from Indonesia's local Lomography community. I remember having some savings in my bank account and just spending it all on this camera. At that time, I browsed the microsite for the Lomography Fisheye No.2 and immediately fell in love with it! Coincidentally, my friend who introduced me to Lomography just bought this same camera for his birthday. My life has changed ever since I had the Fisheye, my first lomographic camera.
It was the Amazon which I had longed for my whole life. And when it was finally a set deal that I will travel to Brazil with two of my best friends for the Copa do Mundo (World Cup), we really had to start our adventure in the Amazon. I had known about this magical place deep in the rainforest. There was a lodge run by local people of indigenous background, with wooden houses that float on the water and a limited number of visitors. It was eco-tourism as how it should be. To preserve and to celebrate one of the most impressive locations I have seen so far.
You want your subject be the center of attention? Petzval lens photos are recognizable for sharpness and crispness in the centre, strong color saturation, wonderful swirly bokeh effect, artful vignettes and narrow depth of field that will make your subjects stand out!
The Lomography Belair X 6-12 brought kleinerkaries closer not only to the most picturesque places in the world but to its beautiful people as well. A good conversation piece, it helped her discover hidden tourist spots and even restaurants that serve the best local food. Find out more about kleinerkaries and her Weapon of Choice after the jump!
Last week, I received the strangest thing through my letterbox. It was a postcard with this photograph on 1 side. The photo is of me sitting by the sea whilst I was on vacation last year. But I have literally no idea who took this shot – That’s why I came here, to ask for your help on my search for my mysterious photographer and to try and get to bottom of the riddle they wrote me. Please help me if you can!
When I was a child, I regularly went to Blaavand, located at the Danish west coast, with my brothers and parents. I stopped going there as I grew up. In 2012 however, we hit the road again. It was my first return visit in about 20 years. I took the chance and packed as many cameras as possible into my luggage. In part two of my journey log, I'm going to show you the pictures I took with my Lomography cameras.
When I was a child, I regularly went to Blaavand located at the Danish west coast with my brothers and my parents. However, I didn't anymore when I grew up. But in 2012, we hit the road again. It was my first visit there in about 20 years. I took the chance and packed as many cameras as possible into my luggage. In this article, I'm going to present to you the photos I took with my Nikon F-501 SLR.
If you want to know the heart of a person, peek inside his/her wardrobe! And no, nobody famous said that; I only just made it up. But really, don't you think it's true? After all, the way we dress screams our personality; at least for most of us. And that is why, as soon as I land on a new city, one of the things I absolutely must do is find the local boutiques. Sure, I love the fancy chain boutiques as much as the next person, but there's just something else about a local clothing store. It's unique!
Back in the 1990s, Gilbert Blecken was a big music fan and wrote for his own small music fanzine. He would interview bands in between sound checks and take photographs of them. He was never a professional photographer or worked for a company; he simply did it for his fanzine. Twenty years on, Gilbert’s photographs have matured into an amazing documentation of some of the biggest music icons of that era. We caught up with Gilbert to ask him about these photographs and the fascinating story behind them.