This film has a lot to offer and at its price point, is not a wimp when compared to the more expensive slides in the market. And guess what? I'm glad I am able to like it because it means I still get quality films and results but with a smaller hole in my pocket.
I used this film recently for some city night shots and got some nice images. Using a LOMO LC-A+ loaded with Sensia 100, I was able to capture very whacky shots of the city and get a very TRON-like effect from the lighting.
The city lights are transformed into neon lights. I especially like the way the colors are being conjured after cross processed. No pink but neon green and fluorescent yellow. I love to use slide films when there is plenty of light and bright colors, especially on dark nights with bright lights. The effect from cross-processing really make my heart race. Its these craaazy colors which attracted me to Lomography and shoot using film!. :)
Browsing through the Lomography website, you can find a lot of redscale shots, which are all done on color negative films. I asked myself if it’s possible to redscale a slide or chrome film and then cross process it. (And yes, it is.) In this tipster I’m going to teach you how to create the bloodiest homemade redscale film I've ever come across.
My name is Amber Valentine and I have a confession to make: I’m not really a photographer. I have a website full of photographs, a bookshelf full of cameras, film waiting to be developed, and a wall full of framed pictures I’ve taken. Even so, I don’t really consider myself a photographer per se. I think that Lomography is more about the experimentation and the fun of film than it is about the photography, and that experimentation is part of the reason I have embraced Lomography so.
Architectural photographer Christopher Payne documents America’s industrial heritage with his large format images. For his project "Asylum," he visited 70 abandoned psychiatric hospitals across to country between 2002 and 2008.
Really want to bring your film photos to life? We’re now offering totally analogue fine art prints in a host of large sizes and formats! Carefully enlarged from your negatives onto premium photographic paper by lab professionals, each picture is a unique piece of craftsmanship.
We all know about 35mm and 120 film, right? And since Lomography re-introduced 110 film, we have another film format to play with. But in the years past, many more film formats were in use. Let me introduce you to a few golden oldies and tell you about my experiences with them. I'll start with Rapid film.
After a fully booked 2015, photographer Chloé Vollmer-Lo found time to test the Petzval 58 Bokeh Control Art Lens. She brought it to the Natural History Museum and the Paris business district, an endeavor that resulted in quite a few stunning, bokeh-rich images.
Ella Lama is a letterer and illustrator based in Manila, Philippines. Her work is a perfect mix of good cheer and unfeigned creativity. Recently, she designed a Lomo'Instant White camera with cute and playful illustrations inspired by her Japan trip.