I have shot with this film recently and am quite surprised with the various colors I got: blue, pink, purple, etc. Don't believe me? Read on and see the photos!
With Agfa CT Precisa 100 being a slide film, it can be processed both using E6 (slide processing) or C41 (cross-processing). For this review, I did E6 processing to access what the slide has to offer. Blue and green hues show up more prominently with nice smooth grains. Even for low light and undererxposed shots, the colors are still able to be captured with very fine grains, which seems to suggest that this film is quite forgiving. Greens are especially visible with this slide. This film leans toward the cooler color tones and looks tamed. No exaggerated color shifts.
However, I noticed that this film has more to offer when you expose it to extreme lighting conditions. I used the same roll to take some sunset shots and the color I got after developing the film blows my mind. You get red, pink, blue, and purple. I think the color tones available when using the Precisa for extreme lighting conditions are amazing. Its like a color palette on steroids!
Try it and see if you get the same result. ThIs film is definitely a keeper for me! :)
I don't care if this film has been reviewed a zillion times, that it has already been discontinued, or that there might be a Japanese version of it. The Agfa CT Precisa that I know gives me the blues. Oh, yes - not a Chelsea FC fan, but this film is all about the color blue. Say hello to the blues!
The LomoChrome Purple XR 100-400 is a color negative film that uses false colors and gives your images an infrared effect. In fact, the greens turn to purple and yellows turn to pink. See how it fares on a photowalk after the jump.
Recently, I used my trusty Fuji Silvi. It may not be my all-time favorite camera, but I just wanted to use it because I kind of missed shooting with it. So I decided to look through my film stash to see what I could use with the Fuji Silvi. After much consideration, I ended up picking the old Agfa CT Precisa ISO 100 to get that classic blue tone. Silvia Precisa!
This is my experience with the Lomography Redscale XR 50-200 (120), my first medium format film. It's an adventure that started when I got a Lubitel 2, to finally shoot with it. In this article, you'll find detailed information about color schemes, the advantages of shooting in medium format, and the differences between standard redscale films. Here are the results of a day of shooting outside, which I recently got back from the lab.
An ardent globetrotter, esbo takes pride in having been to different places and documenting each of these trips in analogue. Aside from her boyfriend dopa, she considers the LomoChrome Purple XR 100-400 as her most trusted companion in making her travels more magical. Read on and discover how she makes her photographs perfect with this fantastic film!
Chances are you've seen plenty of color-drenched photographs while browsing through the Photos section. Faces painted blue, pets tinted green, and foliage splashed with pink light. It's called "Colorsplashing," one of Lomography's earliest techniques for giving your shots a quick color boost. We dug through the Lomography archives to revisit "The Chakras of Colorsplashing," a special project created by Lomography and Staple Design six years ago.
I backed the Kickstarter project for the Lomo’Instant earlier this year and was thrilled to receive it last week. I love how the camera naturally encourages you to experiment with its different features, whether it’s through flashing your multiple exposures with different colors or trying different creative techniques after your shots has been ejected. Here are a few tips from what I’ve discovered from playing with the camera so far (and a couple of tips I want to try out in future)!
Ellie Smith is a London-based fashion and portrait photographer with a real talent for taking simple and beautiful portraits. Recently, she took the Petzval Art Lens to the streets of East London to capture some urban shots. Read on for the full interview and see her striking photographs.
William Eggleston is one of the most important contemporary master and pioneer of color photography. In this article I write a tribute to his particular democratic way of looking around. For him "Nothing was more important or less important", and everything is worthy of being photographed. Again, he is fond of the dear old film; he said that "I don't think much about the digital world, because I am in the analog world!". Read more after the jump!
Really want to bring your film photos to life? We’re now offering totally analogue fine art prints in a host of large sizes and formats! Carefully enlarged from your negatives onto premium photographic paper by lab professionals, each picture is a unique piece of craftsmanship.
I recently had the opportunity to take the world’s most creative instant camera — the Lomo'Instant — for a stroll on an unusually warm and sunny November day. My goal was to acquaint myself with the endlessly cool features and infinite possibilities the camera possesses while creating some beautiful photographs in the meantime. Read on to see the results!
Apologies for making you go through my "weekend with my BFFs" shots, but I do want to share with you some easy tips and ideas to shoot your Lomo'Instant in the daylight and outdoor. This is especially aimed at people who don't read manuals.