This is my second review of the Rollei Creative Edition Films. This time I am going to share with you my own personal experience of using Rollei Redbird.
My review of this film, the 400 ISO redscale film from the Rollei Creative Edition collection, is going to read very similarly to the review I did a while ago of the Nightbird which you can read here.
I was excited to use this film, and loaded it into my LC-A so that I didn’t waste it in a camera where I could not set the ISO. I used the whole roll back in April/Spring time when it was sunny so that I got the gorgeous orange tones that I had experienced with the Lomography Redscale XR 50-200.
Similarly as with the Nightbird, I was initially very very disappointed when I got these films back from the lab. Despite having shot them in bright sun, and having the camera on the right ISO they are once again super grainy, in fact a lot of the shots were so underexposed I couldn’t even scan them in. I am not a photography expert but I can’t understand how a 400 ISO film shot in sunny conditions can lead to things being UNDERexposed!
Anyway, I do kind of like the dark black shapes on the grainy reddish backgrounds, but it is really not the way I intended for the films to come out.
As with the Nightbird, I would like to try it again at some point just to see if I can make any improvement, but for now I would give the film a 6 out of ten, with its only redeeming factor being the brilliant photos I have seen taken by other people online!!!
It's late October in Copenhagen and summer was well and truly behind us. With the nights drawing in, the chances of going out with one of my cameras was slim. All was not lost at this time of year, however, as it allowed me time to focus on my own personal music projects—I am a professional composer/musician and audio engineer at my own studio by day.
Considered as one of the best 35mm SLR cameras, the Nikon F2 is indeed one of the best experiences on film I’ve ever had. Fully manual and almost impossible to break, this historic camera is really marvelous to use.
This article is dedicated to one of the finest British sport photographers, Monte Fresco. In his 30 years of reportage for the Daily Mirror, he took some of the most iconic photographs in sporting history. He covered football, tennis, and boxing. But it is his ice skating pictures that I am most fascinated with. Using my own lens, I give him a modern tribute.
The most incredible lightpainting tool is here! Consists of 200 full color RGB LEDs in a lightweight aluminium housing will color your analogue world in different way! Create and animate different shades and shapes with the Pixelstick!
Capture the world and all its contours in vibrant, wide-angled photographs any time, any where! The LC-A 120 is an adventure of its own with lots of exciting functions to experiment with, like seamless long exposures or full ISO control. It's also super-fast and ultra-compact - perfect for your everyday. If you're worried about the Medium Format film, don't be! You are free to use any 120 Film you want and there are plenty to choose from. In fact, that's what makes this camera so versatile! Scroll through this gallery for a little taste of the glorious shots this nifty invention is capable of.
I was really excited when I got to test the Lomo'Instant Wide recently. Nine packs of film and and one week later I can say: "This camera works really well and I am looking forward to my own Portobello Road Edition!"
As a core member of Yamanaka Yuko, a local hiking group based in Hong Kong, AM Renault is deeply in love with nature. He is also part of the creative photography group Six Dimen Boy and is good at intertwining photography with art and design elements -- making photos not only useful for documenting what we see, but also as a means to tickle the imagination. The young and talented AM tried out the New Russar+ lens while traveling in Japan with his father. He talks about his experience and shares the sights from his journey in this Lomography Magazine exclusive.
In this article I’m going to review the LomoKino's key features, show you how to load the film, and share some tips on shooting and editing a movie. I will also show you a short stop motion movie that I made with this camera.
While many of us can only dream of working with musicians and photographing them, Angela Izzo's job entails exactly that. Apparently, this is a fulfillment of her own dream that she had when she was younger. In this interview, Izzo talks about her beginnings which, of course, included going to as many shows and festivals as she possibly can; some of her most memorable on-the-job-experiences with the likes of The Doors, Lykke Li, Jack White, Edward Sharpe and the Magnetic Zeros, and Chris Robinson Brotherhood; her inspirations and other interests; and her love for film photography and Diana Mini. And to those looking into fulfilling their own dreams of working in the same industry, Izzo also shares helpful advice based on her own experiences.
My 2015 resolution is to do 12 photography projects, one for every month. In July, I tried freelensing or unscrewing the lens from my SLR and holding it in front of the camera body. By tilting the lens slightly I was able to change the focus. For this experiment, I used my Konstruktor and Olympus OM-1.
With its surreal, psychedelic results that easily remind one of fairy tale-like wonderlands, the LomoChrome Purple has quickly grown to become one of the most popular emulsions in the community. We're giving you that extra push in the form of more community-penned reviews to finally try this film yourself, if you haven't.
Robin Rimbaud is a UK based artist, record producer, and composer who works under the name "Scanner" in reference to his use of mobile phone signals and police scanners in his early performances. He has worked on soundtracks for films, sound installations, radio, dance and theater. Robin also has a passion for medium format photography, owns a Holga camera and has a unique photographic style. Get to know him in this interview, where he talks about his personal work as well as his experience with the Lomo LC-A 120.