This is my second review of the Rollei Creative Edition Films. This time I am going to share with you my own personal experience of using Rollei Redbird.
My review of this film, the 400 ISO redscale film from the Rollei Creative Edition collection, is going to read very similarly to the review I did a while ago of the Nightbird which you can read here.
I was excited to use this film, and loaded it into my LC-A so that I didn’t waste it in a camera where I could not set the ISO. I used the whole roll back in April/Spring time when it was sunny so that I got the gorgeous orange tones that I had experienced with the Lomography Redscale XR 50-200.
Similarly as with the Nightbird, I was initially very very disappointed when I got these films back from the lab. Despite having shot them in bright sun, and having the camera on the right ISO they are once again super grainy, in fact a lot of the shots were so underexposed I couldn’t even scan them in. I am not a photography expert but I can’t understand how a 400 ISO film shot in sunny conditions can lead to things being UNDERexposed!
Anyway, I do kind of like the dark black shapes on the grainy reddish backgrounds, but it is really not the way I intended for the films to come out.
As with the Nightbird, I would like to try it again at some point just to see if I can make any improvement, but for now I would give the film a 6 out of ten, with its only redeeming factor being the brilliant photos I have seen taken by other people online!!!
It's late October in Copenhagen and summer was well and truly behind us. With the nights drawing in, the chances of going out with one of my cameras was slim. All was not lost at this time of year, however, as it allowed me time to focus on my own personal music projects—I am a professional composer/musician and audio engineer at my own studio by day.
Capture the world and all its contours in vibrant, wide-angled photographs any time, any where! The LC-A 120 is an adventure of its own with lots of exciting functions to experiment with, like seamless long exposures or full ISO control. It's also super-fast and ultra-compact - perfect for your everyday. If you're worried about the Medium Format film, don't be! You are free to use any 120 Film you want and there are plenty to choose from. In fact, that's what makes this camera so versatile! Scroll through this gallery for a little taste of the glorious shots this nifty invention is capable of.
This is my experience with the Lomography Redscale XR 50-200 (120), my first medium format film. It's an adventure that started when I got a Lubitel 2, to finally shoot with it. In this article, you'll find detailed information about color schemes, the advantages of shooting in medium format, and the differences between standard redscale films. Here are the results of a day of shooting outside, which I recently got back from the lab.
I love the different styles of cameras that Lomography has, but I also like to create my own cardboard cameras that use pinholes to be able to take pictures using traditional film. This time I created the Pinhole F, a camera inspired by the Diana F+ and shoots 12 pinhole photos using 120 film.
Apologies for making you go through my "weekend with my BFFs" shots, but I do want to share with you some easy tips and ideas to shoot your Lomo'Instant in the daylight and outdoor. This is especially aimed at people who don't read manuals.
In this article I’m going to review the LomoKino's key features, show you how to load the film, and share some tips on shooting and editing a movie. I will also show you a short stop motion movie that I made with this camera.
Perhaps you’ve already had chance to try light painting, multiple exposures and long exposures with your Lomo’Instant, but what can you experiment with next? Well, that’s exactly the thought I had which led to giving this Tipster a go. I wanted to shoot Lomo’Instant photos which felt a bit “messier” than what I’m usually used to and to use a technique which would open up new possibilities with the kinds of images I could create with my favorite instant camera. Well, here I go!
Two years ago I swore to myself, I'll be coming back soon!" This October my chance finally came and I flew for the second time to New York City to visit my dear colleagues in the Lomography Gallery Store New York. What I didn’t see coming, though, is the opportunity to test a new secret film during my trip.
While many of us can only dream of working with musicians and photographing them, Angela Izzo's job entails exactly that. Apparently, this is a fulfillment of her own dream that she had when she was younger. In this interview, Izzo talks about her beginnings which, of course, included going to as many shows and festivals as she possibly can; some of her most memorable on-the-job-experiences with the likes of The Doors, Lykke Li, Jack White, Edward Sharpe and the Magnetic Zeros, and Chris Robinson Brotherhood; her inspirations and other interests; and her love for film photography and Diana Mini. And to those looking into fulfilling their own dreams of working in the same industry, Izzo also shares helpful advice based on her own experiences.
I want to share with you my experience with some slides when I was in Russia. I'm very sorry for them because I messed them up. They're just ruined and they'll never be the same! But hey, I have thousands of them, so I guess it's not a big deal after all.
Unfortunately, it happens sometimes that your resulting pictures are not what you expected - the image doesn't look that good, the colors are bland, and the subject is banal. Indeed, it couldn't be picture of the year! Herein I propose a second chance for your pictures by modifying your 35mm negatives. Just pick up some ideas from here, experiment, and scan your negatives with the Lomography Smartphone Scanner. Anything is possible: burning, scratching, putting on hydrochloric acid, balsamic vinegar, nail polish, bleach, or raspberry juice... use your imagination and write down your new film soup recipe! You can find a sample of the effects in this article.