This is my second review of the Rollei Creative Edition Films. This time I am going to share with you my own personal experience of using Rollei Redbird.
My review of this film, the 400 ISO redscale film from the Rollei Creative Edition collection, is going to read very similarly to the review I did a while ago of the Nightbird which you can read here.
I was excited to use this film, and loaded it into my LC-A so that I didn’t waste it in a camera where I could not set the ISO. I used the whole roll back in April/Spring time when it was sunny so that I got the gorgeous orange tones that I had experienced with the Lomography Redscale XR 50-200.
Similarly as with the Nightbird, I was initially very very disappointed when I got these films back from the lab. Despite having shot them in bright sun, and having the camera on the right ISO they are once again super grainy, in fact a lot of the shots were so underexposed I couldn’t even scan them in. I am not a photography expert but I can’t understand how a 400 ISO film shot in sunny conditions can lead to things being UNDERexposed!
Anyway, I do kind of like the dark black shapes on the grainy reddish backgrounds, but it is really not the way I intended for the films to come out.
As with the Nightbird, I would like to try it again at some point just to see if I can make any improvement, but for now I would give the film a 6 out of ten, with its only redeeming factor being the brilliant photos I have seen taken by other people online!!!
This is my experience with the Lomography Redscale XR 50-200 (120), my first medium format film. It's an adventure that started when I got a Lubitel 2, to finally shoot with it. In this article, you'll find detailed information about color schemes, the advantages of shooting in medium format, and the differences between standard redscale films. Here are the results of a day of shooting outside, which I recently got back from the lab.
I love the different styles of cameras that Lomography has, but I also like to create my own cardboard cameras that use pinholes to be able to take pictures using traditional film. This time I created the Pinhole F, a camera inspired by the Diana F+ and shoots 12 pinhole photos using 120 film.
Apologies for making you go through my "weekend with my BFFs" shots, but I do want to share with you some easy tips and ideas to shoot your Lomo'Instant in the daylight and outdoor. This is especially aimed at people who don't read manuals.
I participated in the Kickstarter campaign and purchased my very own new Petzval lens. I can't wait to use with with my digital camera to experience its wonderful bokeh effect. I also wanted to try its effects when using a film camera but the lens has an EF mount. I didn't have a Canon camera. See what I did with it after the jump.
As one of our most seasoned community members, herbert-4's collection of photos spans over decades of experience in film photography. Many of his albums contain images that we could only dream of capturing, from a time and generation that not many of us had the chance to be part of. Not surprisingly, each photo is entitled to its own story, and herbert-4 shares the story behind this one after the jump.
The expansive 6x12 format allows you to capture a vast space that makes for jaw-dropping photos; whether landscape, portrait or anything else you feel like shooting. Wait there’s more; the Belair X 6-12 can also shoot in both square 6x6 and regular 6x9 formats. So whatever shape you’re in, the Belair X 6-12 is ready to match you!
Two years ago I swore to myself, I'll be coming back soon!" This October my chance finally came and I flew for the second time to New York City to visit my dear colleagues in the Lomography Gallery Store New York. What I didn’t see coming, though, is the opportunity to test a new secret film during my trip.
Perhaps you’ve already had chance to try light painting, multiple exposures and long exposures with your Lomo’Instant, but what can you experiment with next? Well, that’s exactly the thought I had which led to giving this Tipster a go. I wanted to shoot Lomo’Instant photos which felt a bit “messier” than what I’m usually used to and to use a technique which would open up new possibilities with the kinds of images I could create with my favorite instant camera. Well, here I go!
I want to share with you my experience with some slides when I was in Russia. I'm very sorry for them because I messed them up. They're just ruined and they'll never be the same! But hey, I have thousands of them, so I guess it's not a big deal after all.
Recently, I used my trusty Fuji Silvi. It may not be my all-time favorite camera, but I just wanted to use it because I kind of missed shooting with it. So I decided to look through my film stash to see what I could use with the Fuji Silvi. After much consideration, I ended up picking the old Agfa CT Precisa ISO 100 to get that classic blue tone. Silvia Precisa!
Unfortunately, it happens sometimes that your resulting pictures are not what you expected - the image doesn't look that good, the colors are bland, and the subject is banal. Indeed, it couldn't be picture of the year! Herein I propose a second chance for your pictures by modifying your 35mm negatives. Just pick up some ideas from here, experiment, and scan your negatives with the Lomography Smartphone Scanner. Anything is possible: burning, scratching, putting on hydrochloric acid, balsamic vinegar, nail polish, bleach, or raspberry juice... use your imagination and write down your new film soup recipe! You can find a sample of the effects in this article.
Every year my city Como hosts, for the Easter period, a great fun fair. This is a great occasion to test a camera, to make experiments with films, to have fun and to photograph people while also having fun! This year, I used my gem, the wonderful Horizon Perfekt (that I bought from the Lomography Online Shop) loaded with a timeless film, a Kodak Tri-X 400 developed, as usually for b/w, by myself. Read more after the jump!