Fuji's Sensia 400 is a slide film perfect for cross processing. Now that I've discovered it and the colours it can capture, it's the default film for my LOMO LC-A+!
I’ve had a few disasters with cross processing in the past— from my local lab refusing to do it, other labs doing it, and everything being wrong. So much so that I ended up just getting my slide film conventionally processed and just enjoying the muted colours.
That was until I found Fuji Sensia (available in 100, 200 and 400) and a great lab happy to xpro away!
When cross processed, the film produces amazing blues.
But it’s not just about the vivid blues. It works wonders with all colours.
And for another effect over expose it a little and get some dreamy scenes.
Get some and have fun!
Fuji Sensia 400 35mm yields lovely results no matter how it’s processed. When cross-processed, Fuji shots have huge contrast and a total colour shift towards green & cream, blue, or even pink — depending on your developer. See the whole range of colour slides in our Shop.
Browsing through the Lomography website, you can find a lot of redscale shots, which are all done on color negative films. I asked myself if it’s possible to redscale a slide or chrome film and then cross process it. (And yes, it is.) In this tipster I’m going to teach you how to create the bloodiest homemade redscale film I've ever come across.
Toby Mason (aka fotobes) is a Brighton-based photographer who embraces the aesthetics of film photography. He mostly shoots with the LC-A+ using a range of slide films, cross processing them to create rich, highly saturated colours. His work has been featured on the BBC website and Hungry Eye Magazine. Join us for the opening night on Thursday, September 17 from 6 p.m.
Ed Choi regards Lomography as one of the best things that happened to him. In this interview, the latest member to join the roster of LomoGurus talks about how cross processing slide films sparked a great friendship, taking instant photos in Himalayas, and creating the perfect double exposure photograph.
Done shooting and want your films to be processed? We can process your colour and black & white 35mm, 120 or 110 films! Development, prints and scans are also included. (Service availability depends on your markets)
In this article, I'll show you how the Lomo LC-A loaded with the versatile Ilford HP5+ can make the most out of a hazy morning. To capture the whirlwind of a bicycle race, I pushed the film to ISO 800. The legendary Minitar 1 lens and this classic Ilford film are a perfect combination if you love black and white photos.
With an expanded field of view and its ability to produce high quality images and capture minute detail, medium format photography has become the top choice of many photographers. Lomography is working hard to make sure that it keeps going with the continued production of medium format film and cameras. The current issue of German magazine FOTO HITS focuses on medium format photography. And with this rumble, we want to prove why medium format photography is king. Take your Diana F+, Holga 120, Lubitel 166+ or the new Lomo LC-A 120 and show us your best square shots!
Really want to bring your film photos to life? We’re now offering totally analogue fine art prints in a host of large sizes and formats! Carefully enlarged from your negatives onto premium photographic paper by lab professionals, each picture is a unique piece of craftsmanship.
Planning to head out to the streets or to the great outdoors? Take advantage of your adventure by testing out a new film! We recommend the Washi X Maskless CN and Z BW 400/135, now available at the Online Shop.
When it’s cold outside and the rain is pouring, it can be the perfect time to sit down and build something. Lomography UK has teamed up with Technology Will Save Us, a company that makes build-it-yourself electronic kits, to bring you the perfect DIY Rumble. Get the chance to win a Konstruktor camera and a DIY Instrument Kit. Read on for details on how to enter this fab competition.
In December last year James Wright, editor and creative director of So It Goes Magazine, went on a two-week trip to Sri Lanka, "a place so long on our bucket list, but up until then, as yet unvisited," he writes on the first of his three-part photo diary. Herein is the second part of his series that chronicles his adventures, highlighted by a selection of breathtaking images of the Sri Lankan countryside and the locals, among many other images, captured with his trusty photographic companions: the Leica MP, Lomo LC-A+, and an assortment of films including the LomoChrome Purple.
In December last year James Wright, editor and creative director of So It Goes Magazine, went on a two-week trip to Sri Lanka, "a place so long on our bucket list, but up until then, as yet unvisited," he writes on the first of his three-part photo diary. Herein is the first of his series that chronicles his adventures, highlighted by a selection of breathtaking images of the Sri Lankan countryside and the locals, among many other images, captured with his trusty photographic companions: the Leica MP, Lomo LC-A+, and an assortment of films including the LomoChrome Purple.