The Bronica ETRsi is one solid medium format beast but how does it perform when coupled with a 35mm back? Not the normal 35mm back but the wide version...the 135W (very rare!) back!
What happens when a 120mm camera gets coupled with a wide 35mm back? Top that up with a metered prism and all I can say is that you’ll get endless fun with the set up.
Using the pano format back means you will (or rather…might) need to have frame lines on the focusing (if you bother about composition). You can find some of the focusing screens for 35mm backs on eBay or simply draw lines on the focusing screen with a marker pen. Of course it won’t look as neat as the 35mm screens, but hey, it works as well. :)
This is my experience with the Lomography Redscale XR 50-200 (120), my first medium format film. It's an adventure that started when I got a Lubitel 2, to finally shoot with it. In this article, you'll find detailed information about color schemes, the advantages of shooting in medium format, and the differences between standard redscale films. Here are the results of a day of shooting outside, which I recently got back from the lab.
As the mother of all modern wide-angle lenses, the New Russar+ Lens shoots sharp wide-angle photos bursting with character. The solid yet compact ultra-wide 20mm lens can be used to photograph practically anything, and is compatible with a variety of film and digital cameras. Certainly this is a lens that delivers, but like anything, you can reap its full potential by choosing ideal subjects and shooting from a creative perspective.
Probably each one of you has been annoyed with failed film. This is particularly annoying when you get the developed film back from the lab, but you get blanks because the film was not exposed. It's either the film transport didn't work, or you have not taken the lens cap off, etc. Read on and I'll show you an alternative to just throwing away the film: Simply use it as a color filter for your camera, with the La Sardina for example.
We have prepared a special set of filters to boost up your creative possibilities with the Petzval or any other lens with a 58mm filter mount. Get all in one set or pick your favourite and step up your game!
A lot of lomographers have experienced using and even writing about the greatness of the Lomography Earl Grey black and white 35mm ISO 100 film. However, no one has written about using an expired Earl Grey film yet. How does it fare when it is used expired? Read on to find out more.
Budding photographers are everywhere, but not everyone can excel in the craft using both analogue and digital mediums. When you look at Alex Luyckx’s body of work, however, you realize that there masterfully skilled and gifted people out there who can shoot staggering regardless of what camera or what medium there is. And if that wasn't fascinating enough, this talented gentleman with an obvious devotion for film also develops and prints his own images.
While the tiny 110 cartridge film has only tickled the fancy of film photographers in the recent years, this format was highly popular during its heydays. For those who have yet to learn about and shoot with 110 film, this timeline looks back at some of the notable milestones of this very compact format!
It's a great feeling when you get a camera back to work even though you thought it was already unusable because its particular type of film is no longer in production. Here's how you can do it with a Polaroid camera from the 80-series.
I don't care if this film has been reviewed a zillion times, that it has already been discontinued, or that there might be a Japanese version of it. The Agfa CT Precisa that I know gives me the blues. Oh, yes - not a Chelsea FC fan, but this film is all about the color blue. Say hello to the blues!
The Lomography Belair X 6-12 is more than just a medium format camera. It is lightweight, compact, and capable of shooting photos in three different sizes: 6x12, 6x9, and 6x6. Equipped with a high quality interchangeable lens system and and automatic exposure, it can give you beautiful shots in every roll. It can also take three different film formats: 120mm, 35mm, and instant. Read on to find out all about this fantastic camera.
What’s not to love about the Lomo LC-Wide? If you are a fan of wide angle lenses or Lomography, you probably have one in your collection. The LC-Wide is a powerful camera with many fun features to get creative when shooting. Best of all, all these are already built into the camera.
Get ready to think fast and shoot faster! Today, we are thrilled share with you news of the brand new LC-A 120 Camera. Load it with any 120 film roll and experience the thrill of medium format photography. You’re sure to soak up all the action in every square shot with its fantastic 38mm f/4.5 wide-angle lens (equivalent to a 21mm lens on a 35mm film camera). It's available for Pre-Order: Extremely limited first batch stock of only 500 cameras!