The Afga CT Precisa 100 lives up to its reputation as one of the top slide films for xpro junkies!
I happened to score two rolls of Agfa CT Precisa 100 last year; just in time for our honeymoon vacation in the province of Bohol, Philippines. Although I read somewhere that cross-processing this film would result to saturation with no obvious inclination toward a particular hue, it seems as though that the Precisa has strong tendency to be blueish. This is especially true in when shooting open outdoor subjects, either in sunny or cloudy conditions.
On the other hand, the blueish bias somehow becomes neutralized by indoor lighting.
Although I have limited experience with this film, I know that it is worth your buck. The most popular photo in my lomohome was captured by this noteworthy film.
The AgfaPhoto CT Precisa captures your memories with exceptional colour rendition and is ideal for sunny outdoor adventures. When cross-processed, you will see an overall colour-shift as cool blue tones envelop your images. See the whole range of colour slides in our Shop.
An Argentinean writer and photographer living in the Pacific Northwest, Lorraine Healy is a long-time fan of plastic cameras and is the author of "Tricks With A Plastic Wonder," a manual for achieving better results with a Holga camera, available in eBook form at Amazon.com. In this article, Healy explains how she fell hard in love with the Lomography XPro Slide 200 film and why she takes it on her many travels.
The shoutbox is always open for the community's honest opinions, surprising suggestions, and sweetest greetings. It is also an avenue for members from across different countries to dicuss and interact with one another. We'd like to commend these lomographers for keeping this humble space booming with entertaining conversations all year long. Congratulations to our top shoutbox users of 2014.
Browsing through the Lomography website, you can find a lot of redscale shots, which are all done on color negative films. I asked myself if it’s possible to redscale a slide or chrome film and then cross process it. (And yes, it is.) In this tipster I’m going to teach you how to create the bloodiest homemade redscale film I've ever come across.
Considered as one of the best 35mm SLR cameras, the Nikon F2 is indeed one of the best experiences on film I’ve ever had. Fully manual and almost impossible to break, this historic camera is really marvelous to use.
With its surreal, psychedelic results that easily remind one of fairy tale-like wonderlands, the LomoChrome Purple has quickly grown to become one of the most popular emulsions in the community. We're giving you that extra push in the form of more community-penned reviews to finally try this film yourself, if you haven't.
Did you enjoy shooting with Cine200 Tungsten Film when it launched? Or were you one of the unlucky many who missed out on this ultra-limited edition emulsion? Well, we’re thrilled to say we have an exciting follow-up to Cine200 which will launch in just a few days! And as the other film sold out so fast, we wanted to give you the opportunity to sign-up to our list to get the news as soon as it happens.
How We Used to Live is a beautiful film by Paul Kelly using archive footage of London from the 1950's right up to the 1980's. It's a fascinating analogue film with a great soundtrack from St Etienne. Read on for more information.
As the weather warms up and the sun begins to shine, it's time to take your cameras off the shelf and into action. April is a special month because of Film Photography Day, marking a special date for us film photographers. We need you to help celebrate the wonders of film photography and keep the magic alive. #filmphotographyday2015
Where do I begin talking about film cameras on the Lomography Magazine? Yes, you guessed right. I will begin with a LOMO, of course, a very special one: the Lubitel 166 Universal (Lubitel 166U). It’s a camera that has almost everything you might need from a camera. Plus, it’s a LOMO!