As a lover of art and photography, I often see pieces of art that I wish I had thought of creating... and David Hockney's amazing photograph collages are one of these.
On a recent visit to Salts Mill, Saltaire, England I saw some amazing art work by David Hockney featuring collages of photos and polaroids put together in a patchwork to create one complete art piece.
Hockney created these photomontage works mostly between 1970 and 1986 and referred to them as ‘Joiners’ rather than collages – the first ever ‘joiner’ occured accidently when Hockney was trying to create a painting of his living room. He photographed individual areas of the room and glued them together for reference and in turn created a narrative of movement in one image.
David Hockney’s collages combine his fascination with perspective and cubism and even plays with time with some of his photos taken at slightly different times to create constant movement within the piece. Initially the subject would move whilst being photographed so that the final narrative would show the movements seen from the photographer’s camera however, in later works Hockney changed his technique and moved the perspective around the subject instead.
Photography is not only an act of documentation or communication, it is also a way of seeing the world. The camera opens our eyes and lets us see what lies behind the obvious, and we start looking at things as potential subjects of a photograph. Every leak of light unveils secrets that talented photographers turn into a piece of art. Li Hui is one of those gifted artists. We talked to her about her work and her sensitive photographs that picture a wonderful vulnerability.
As an undergraduate majoring in Fine Arts, budding South Korean photographer Jinveun often spends her time drawing portraits for her projects. Inevitably, it was through this that she had started to seriously consider rendering portraits through the medium of photography.
Each person sees the world differently. How we see things are affected by our feelings, characteristics, and background. Jorgen Axelvall, a Swedish visual artist and photographer who is currently based in Tokyo, captures through photographs what his creative vision sees. He recreated his world, even with card-sized instant photos. Catch a glimpse of his moody yet tasteful pieces.
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Geoffrey Berliner is the Executive Director of the Penumbra Foundation and the Center for Alternative Photography in New York. As the head of an organization whose goals are 'to be a comprehensive resource for photographers at any level' and 'to continue to publicize the impact photography has had and continues to have on culture, history and the arts,' his exposure to photographic materials -from 19th century gems to modern equipment- is so extensive, one cannot even begin to fathom just how much knowledge and experience this man has acquired. His collection of over 2000 vintage Petzval lenses is unparalleled, and the object of envy of both traditional and contemporary photographers. Although such lenses are reputed to require a certain level of skill to be used, Berliner seems to manage them with so much ease, producing splendid results.
There's a certain air of sadness in Nishe's portraits. More often than not, the faces of her subjects are either partially or completely hidden. Sad, yes, but undeniably beautiful. Melancholia, as well as loss of innocence and the pains of growing up, are recurring themes in the photographer's body of work and she presents all these quite gracefully.
As a photographer, Issa Ng is known for his expertise in portraiture and fashion photography. Having worked with different international brands as an Art Director, he has developed a great sense for aesthetics and details, which are reflected in his work. For the past three years thePetzval lens has been part of his workflow, and it has helped him create those show-stopping fashion portraits.
Elvis Halilović turns chestnut wood into heirloom-worthy cameras known as Ondu. As a countdown to Pinhole Photography Day happening tomorrow, we show you how these pieces are shaped, sanded and assembled. All this effort for the love of a good picture!
If formal training alone is not enough to make great art, then being in a room full of like-minded people might be another form of encouragement. To see fellow artists labor over the tiniest detail, to feel the depth of their ambition, to be part of this silent energy—these are priceless perks. The following photographs of University of Art and Design from the 1920s let us sit in on some of these busy classes.
Done shooting and want your films to be processed? We can process your colour and black & white 35mm, 120 or 110 films! Development, prints and scans are also included. (Service availability depends on your markets)
Some people say instant photos bring about a feeling of nostalgia. Although I often use the Lomo'Instant Camera with different crazy accessories such as the Splitzer and color gels, I have to agree there is something about it — dreamy vignettes maybe? — that always makes me want to go back in time and experience it all over again. In the name of analogue photography and good old memories, we passed by some classic spots in Vienna and took one shot after the other. Take a closer look at our gallery.
In spite of being a trained photographer, Ines quit her job and continued with photography only as a hobby. She still finds time to create beautiful, expressive portraits, which she recently did this in her hometown, Brunswick, and transformed the city into a quintessential dream setting with a unique swirly bokeh effect. Her weapon of choice? The New Petzval Art Lens, of course!
Stephen Shore introduced to the 70s art world an unadorned image of American life. He captured littered restaurant tables as other photographers would immaculate vistas. For the opening of “American Surfaces”, he even taped unframed snapshots on gallery walls. In these videos, Shore talks about objects that have “no pretention to art” and the things he learned from Andy Warhol.