BW and colour prints of landscapes and portraits using traditional and experimental techniques. Check out the labrats pages for epug's stuff.
Swirls is a scrumptious collection of shots taken with a Holga, a Seagull and other analogue toys, mixing experimental techniques involving paper, ink, oil pigments and films. Each shot is unique and unpredictable and plays as much with darkness as it does with light. Every picture is an accident, an exercise in randomness and chance harmony. Halfway between dream and documentary, storytelling and paranoia, it will absolutely blow your mind.
The show is at The Place, Oakengates, Telford, UK. It starts on the 18th March and ends on the 21st of April. If you are unlucky and can’t come, check out www.cdillinger.co.uk the exhibition is available online there too.
On the last Saturday of July, the old district of Borgo Vico hosted an art and music festival. There was also a graffiti contest, and the winner will exhibit his work at the Como Business Center for Expo 2015. I used my Zorki 4 loaded with an Ilford FP4+ film to document the event. I focused on the young artists who, amid the swirl of activity, had to concentrate on their large-scale pieces.
Done shooting and want your films to be processed? We can process your colour and black & white 35mm, 120 or 110 films! Development, prints and scans are also included. (Service availability depends on your markets)
Between Lomography and Skillshare there are a lot of talented people. Photographers from all corners of the globe have come together to share in exploring what Lomo stands for: a little bit of experimentation mixed with an eye for aesthetics. We've chosen winners from our SkillShare Rumble -- check out what these students shot!
Reminiscent of traveling photographers of the 19th century, Giles Clement tours through the country with his assistant, Zeiss (an Irish Terrier), offering everything from portrait sessions to wildly creative photographic projects for magazines and companies. And although his mode of transportation may have evolved with the times, his photographic method and gear have changed very little compared to the photographers of days past. Now, with over 3 years of tintyping experience under his belt and an impressive list of clients, he's carved a name out for himself as an accomplished tintyper and continues to spread his passion for this ages-old technique everywhere he goes.
Having first discovered light painting by chance, Jason D. Page is now recognized as a leader in the field. He has pioneered multiple light paintings techniques and his work has been featured in many exhibitions and galleries worldwide. He's a passionate, creative artist and the founder of both Light Painting Brushes and LightPaintingPhotography.com — a website dedicated to everything surrounding light painting!
The Lomo LC-Wide creates an irresistible, saturated range of colors which is the perfect pairing for all you portrait connoisseurs out there. And with its brilliant 17mm Ultra Wide Angle Lens, you can get in on the action too! We loved how these proud portraits (and self-portraits) from our Online Community showed off the charming characteristics of the LC-Wide!
Have you tried shooting pinhole before? This early method of photography requires longer exposure times and is perfect for creative experiments.Who needs a lens?! Forget the viewfinder and standard techniques — you'll get amazing and unpredictably soft-focused snapshots. Go old-school and check out this showcase of pinhole photos our fellow Lomographers have taken!
It's Tipstember! For this month, we will be awarding 25 fat piggies to every tipster article that gets published on the Lomography Magazine. You can share tips on composition, lighting, film experiments and camera modifications; or maybe techniques for shooting portraits, landscapes, still life and even wildlife! If you don't have tricks up your sleeve, however, you can still contribute to the Magazine and let your voice be heard. Here are some suggestions.
From amateur to internationally exhibited photographer: Rudolf Dührkoop’s trajectory was aligned to the Pictorialist credo of artistic effort. The movement aimed to make photography more valuable through the practice of complex techniques. Dührkoop himself studied photogravure, which made some of his prints more tonal and charcoal-like.
Marcus Selmer was the first daguerreotype photographer of Bergen, Norway. He was up-to-date with new technologies and even shifted to wet plate collodion process, a more practical alternative to daguerreotypes. In the 1850s, he also made a series of portraits highlighting folk costumes, from floor-grazing bunad dresses to men’s mink coats. The prints were sold to tourists as a remembrance of traditional Norwegian culture.