I was wondering that the pull-processing thing for a long time and i finally tried it. So let's start with a definition:
PULL PROCESSING is a technique that compensates for overexposed film by under- developing it at the processing stage; thus it is the opposite of push processing.
Here is my story:
Everything was started with finding different techniques for redscale photography. So i read some articles about it and checked some pull-processed photos on web. I learned that we can use this technique on both negative and slide films. Sounds great…
As far as I could see, if we try it with color negative films, it usually results with nearly redscaled tones. That’s why I went to my lab and asked that can they do this or not… The answer was not so pleasant, “we only can do it on slides because we usually developed negatives on the same ISO speed” they said. I was not so lucky. You should ask it to the lab at first, otherwise the results can be weird, let’s say.)
That’s why I tried it on a slide film which was a Sensia 200 and i was waiting red tones on it. But Sensia 200 surprisingly gave me a real purple-blue tones and I now know that each slide film will give its own unique tones, which is even better than redscale.
So, this Sensia 200 film has been exposed with the camera set to ISO 50 and then developed at 50 ISO (E6).
My list of resolutions for 2015 consists of 12 projects, one for every month. March was for caffenol. You have probably heard of the amazing fact that you can develop black and white photos with coffee, sodium, and vitamin C. I had tried this before but with less than stellar results. Somehow, there's always something going wrong. Time to devote a few rolls to caffenol to finally get the hang of it.
This is my experience with the Lomography Redscale XR 50-200 (120), my first medium format film. It's an adventure that started when I got a Lubitel 2, to finally shoot with it. In this article, you'll find detailed information about color schemes, the advantages of shooting in medium format, and the differences between standard redscale films. Here are the results of a day of shooting outside, which I recently got back from the lab.
Have you ever dreamed of creating magical scenes with just the wave of your hand? Wish no longer — Pixelstick makes that dream a reality! Packed to the brim with 200 full color, high fidelity LEDs, the 1.8 meter long Pixelstick is your ticket to incredible, mind-boggling light paintings. It's now available for the first time in the Online Shop!
What exactly do I feel while waiting for my Lomo'Instant photos to be developed? I have to say I get a mix of "Surprise me, dear Lomo!" but also some "Did I capture it as I wanted?" kind of thought. No matter the school of thought, with the Splitzer you can add so many cool effects to your photos you'll definitely embrace it!
As Steve Jobs puts it, "creativity is just connecting things." It's all about tracing one's experiences and pushing the boundaries of what's already known to establish new things. The Lomography community is no stranger to these instances. In fact, the community is filled with brilliant minds who are always ready to refine existing techniques and look for innovative ways to express their visions and ideas. Here are just a few of the creative lomographers we've come to love over the years.
Really want to bring your film photos to life? We’re now offering totally analogue fine art prints in a host of large sizes and formats! Carefully enlarged from your negatives onto premium photographic paper by lab professionals, each picture is a unique piece of craftsmanship.
I backed the Kickstarter project for the Lomo’Instant earlier this year and was thrilled to receive it last week. I love how the camera naturally encourages you to experiment with its different features, whether it’s through flashing your multiple exposures with different colors or trying different creative techniques after your shots has been ejected. Here are a few tips from what I’ve discovered from playing with the camera so far (and a couple of tips I want to try out in future)!
This is a tutorial for the adventurous Lomographers, for those brave enough to do their own B&W and C-41 work but lacking the confidence to move onto E6. Fear no more! I am an enthusiastic home developer, just like the rest of you, I am not a chemical lab wizard! So if I can pull this off, so can the rest of you. Take a deep breath, relax, and read on. By the end of this article I hope you'll have mustered the courage to give it a go yourselves!
Colorsplashing can do wonders to your image. It can alter the mood of your image, enhance colors, or introduce a totally new perspective! Advanced photography skills are not required here; all it takes is a Colorsplash Camera (or Flash) and your imagination. "Paint" your dog green, dye your friend's face with pink light ... the possibilities are endless! Here's a list of Colorsplashing techniques to try from daytime to nighttime.
Here are some self portraits that I took using my Lubitel 2 and a roll of expired film. I used old chemicals, an incorrect ratio, and I under fixed the film during development and washed it in boiling hot water. See how it all turned out.
Ever since the Pixelstick came out, I've been dying to try it out. This past week, I finally got my chance! With one goal in mind — getting some super cool light-painting shots — I grabbed some friends for an amazing session with my Lomo'Instant and the Pixelstick. Take a moment and have a look at these priceless pics!